Silent Bonding

The old garage had a layer of dust from certain neglect and a bit of a musty smell that took a few decades to develop. The dilapidated workbench was quickly cleared, as the man approaching middle age prepared the surface to work on the broken mailbox. The little blond-head boy watched his dad pull out a screw driver and chip some of the rust away from the screws he needed to remove.

A Short Story by CJ PowersAn idea popped into the little boys head. He quickly ran across the backyard and into the house. The dad turned the box around looking for the one angle that would allow him to break the rotted 4X4 free from the box and remove the rusty screws.

As he was chipping away, he suddenly realized his son was standing next to him holding a glass of Coke. The dad smiled, took the glass from his son and took a big swig. Feeling refreshed, he gave his son a wink, but received a glare in return. The dad was perplexed and thought for a moment. He observed his son’s crossed arms and anxiously tapping foot. Something was amiss and he wasn’t sure what to do or say, so he continued to work on the rotted wood.

Just then the chunk of wood broke free and the rusty screws fell onto the workbench. Out of the corner of his eye, the dad could see that his son was frustrated. Thinking his son expected him to down the Coke, he took another gulp and noticed his son’s eyes follow the glass from his lips, back to the workbench. He took pause and then he knew what to do.

He turned to his wide eyed son and said, “I needed to reduce the liquid to the right level for just a couple screws.” The boy twisted his face into a quizzical look, as his dad dropped the rusty screws into the glass of Coke. The boy smiled and leaned forward to watch the ragging bubbles consume the rust.

The dad was relieved, and thankful that he remembered the lesson he taught his son about how to get rust off of a bicycle chain. A smile came to his face and he jostled his son’s hair. He was proud of his son for his ingenuity and memory.

The little boy looked up at his dad with pride in his heart. He was finally able to please his dad by helping him. He felt like he grew two inches that day and looked forward to working side-by-side in the garage again.

At the front of the house the little boy steadied the post, as the dad screwed the mailbox onto the new 4X4 with shiny screws. The smiles on the two were so obvious that the little boy’s mom, who was watching from the front porch, knew something special had happened. She immediately ran outside with her iPhone and snapped a shot of the two standing next to their successful project.

It was truly a bonding moment and the mom knew she had captured the memory for years to come. Wanting to better understand what transpired, she asked them what they had talked about in the garage. In unison they said, “Nothing.” The little boy’s mom gave a piercing look to his dad.

“What?” questioned the dad. “We just pried off the rotten wood, cleaned up the screws, and mounted the box onto the new post.” The mom saw sincerity in his eyes and looked down at her son. The little boy was beaming and nodding in agreement.

A smile broke out on the mom’s face and everyone hugged. It was a good day and she wasn’t about to push any further and enjoy the moment. After all, she had captured the  special father son moment – Whatever it was that happened.

 Copyright © 2012 By CJ Powers
Photo © J and S Photography – Fotolia.com

Developing a 4D Character

It’s easy to develop a single sided character, by saying he’s a maverick or any other stereotypical label like thief, Boy Scout, or law student. Using a well know label allows you to dive directly into your plot, requiring less screen time to develop the main character. However, using stereotypes hinders you from making a character driven film.

Writing an intresting character.Developing a paradox within the character gives you leverage to expand the single story into multiple sequels or a series. Adding in the opposite characteristic under certain circumstances develops the paradox and a far more interesting character.

Pierce in M.A.S.H. was such a character. He hated war, but could never leave a wounded person behind. Every time he was due to leave another chopper filled with the wounded was inbound, forcing him to override his hate of war with his compassion for the wounded. His conscience wouldn’t allow him to walk away from a wounded person no matter how passionately he wanted to leave the war zone.

Adding a third dimension to a character, based on an internal secret that the audience doesn’t know, develops a greater emotional range and a far more realistic character. Many actors develop this angle within their own character to create realism, so it would only be natural for the screenwriter to supply it. The story angle could be absurd or devastating, but needs to be something the main character would never share. An example might be the main character having been raped by his drunk, abusive mother who never remembered the incident once she sobered.

The fourth dimension requires a reality factor that is birthed from within the main character’s surroundings. This is the opposite of the standard process of creating supporting characters that slowly reveal certain truths about the main character as the show progresses. While all the standard books will tell you the reveals must come from the other characters, which is why they are called “supporting” characters, the 4D process requires the main character to adjust his thoughts and actions based on who he interacts with.

This new 4D process was developed to reflect the real life scenarios of how people ebb and flow in conversation with the people or person they are currently communicating with through dialog. Some of these elements naturally happen, as a screenwriter writes conflict into the dialog. When planned out, the main character can be even more interesting and complex.

For this to work properly, the main character has to adjust his comments and actions based on those around him, or their absence. The best way to explore this dimension is in the form of a demonstration to the below questions. Whatever it is that he does, how does it make him act or respond:

        1. When he is alone?
        2. When he is with another person?
        3. When he is in a group?

Once you have this fourth element in place and you’re able to demonstrate it under one of the above circumstances numerous times throughout the film, you can then break the habit of him doing the action to instantly reveal that he has changed or grown.

This tool works best in showing how the character eventually grows to overcome his circumstances or the antagonist. The more subtle the demonstrated change, the more realistic the character and the story. These simple steps make it simple to create a compelling complex 4D character worth watching.

 

Copyright © 2012 By CJ Powers
Photo © Elnur – Fotolia.com

Review: Blue Like Jazz

Controversy is about to hit the conservative film market with the comedy “Blue Like Jazz.” The film, based on the best selling book by the same name, explores “non-religious thoughts on Christian spirituality.” The film’s vantage point is through the eyes of a Southern Baptist boy, Don Miller, who attends the “most godless campus in America.” This film holds none of the stigmas associated with “Christian films” and will shock those who assume it’s a family film – It is not.

Blue Like Jazz crew reviews shotI chatted with Don Miller (Author), Steve Taylor (Director), and Marshall Allman (Actor plays Donald Miller) last night while the film was premiering in Nashville. The conversation was cut short when the three had to get back into the theater for a Q&A session.

Unlike the “Courageous” team who only hires people who are “right before God” to work on their productions, this film had hundreds of non-Christians in the cast. Don says, “It is not a Christian cast except for two people.” When asked how the non-Christians might have been impacted during the shoot, Marshall shared how in awe they were because “the atmosphere on the set was very different with a lot of people encouraging each other. It wasn’t like any other film I’ve been on in the past ten years.”

Steve Taylor was recently a part of some controversy relating to other Christian film producers stating online that they will never hire anyone who worked on this film. When asked more about it, Steve had nothing but positive things to say about other Christian filmmakers. He held tremendous respect for those who have made a difference through film and built the Christian film industry. Steve directed Michael W. Smith’s film “The Second Chance” and numerous music videos like the Newsboys.

Weird experiences play out in Blue Like JazzSteve made it very clear that while Christian filmmakers were putting the film together, it was not going to be a family film. “The reason was simple,” says Steve. “How do you tell the story of a college kid who flees his Southern Baptist upbringing in suburban Houston to attend the ‘most godless campus in America’ without showing what that environment is like? And how can that environment be portrayed realistically in the context of a ‘family’ movie?”

During the film, Don meets all kinds of people including: gay, straight, bi, agnostic, drug-addicts, and abused. It was the Steve’s goal to show real people with real issues. However, Christians will be glad to know that everything that happens in the film leads to a scene where the true heart of the story is revealed – What some are calling the “most powerful scenes to appear in a ‘Christian film’ to date.” Spoiler alert — Don discovers through an epiphany what it really means to believe in and follow Jesus. It is a moment that most people can take to heart.