The Housemaid: When the Movie Escapes the Book’s Moral Dilemma

Some ask, “Is the book or the movie better?”

My answer is simple: it depends on what you want the story to be.

Do you want a story about a woman wrestling with whether survival justifies using someone else as a weapon? Or do you want a story about women breaking free, breaking rules, and punishing the man who trapped them?

Freida McFadden’s book develops a moral dilemma. The movie delivers a revenge fantasy.

Both may satisfy an audience, but they do not tell the same story.

SPOILER ALERT—I’ll try to keep as many reveals off the table as possible, but some will surface because they are necessary to the points I discuss.

The Book: A Thriller with Moral Dilemma at Its Core

The book is a thriller that keeps you guessing from the start. You may even find yourself wanting to scream at Millie to get out of the house, NOW! Enzo confirms your suspicions early, which only makes your heart race faster as you read on.

But Andrew’s picture-perfect family, including his wife, Nina, and her daughter, Cece, will have you feeling relaxed just long enough to believe Millie might be safe working as their housemaid.

Until it’s too late.

The author explores one moral dilemma from several different angles. At first, it looks like each character is fighting a private battle. But as the book reaches its climax, it becomes clear that the story keeps circling the same question:

To keep our hands clean, can we leverage someone else to do the dirty work, or does that action automatically make us guilty?

Each major character faces that same dilemma from a different position. Millie faces it as the desperate outsider trying not to return to prison. Nina faces it as the trapped wife trying to escape with her daughter. Enzo faces it as the one person close enough to see the truth and brave enough to ask whether escape is enough if someone else is left behind.

Millie faces her moral dilemma in several ways throughout the story. She justifies lies to avoid losing her job and returning to prison. Midway through the story, she justifies believing the worst about Nina because it allows her to accept Andrew’s attention. By the end, she justifies locking Andrew away as the only way to survive being killed or sent back to prison.

Nina’s dilemma is even more complicated. About halfway through the book, we learn that she manipulated Millie, using her as bait to escape with Cece. Enzo later becomes Nina’s conscience, forcing her to see the harm she has done to Millie. He also forces her to recognize that, regardless of Millie’s past, Millie has inherent value.

By the end, Nina makes the moral choice. She is willing to sacrifice herself to spare Millie.

That is where the book becomes more than a thriller. It becomes a story about what people become when survival, revenge, guilt, and justice collide.

The Book: More Than Escaping Andrew

An astute reader can see what happens when people make life-changing decisions while in survival mode, desperate to surface.

Nina chose Millie because Millie had already proven she could kill when someone vulnerable was in danger. Nina believed that if Andrew revealed his true nature, Millie might do what Nina could not.

At the same time, Nina does not simply abandon Millie without resources. She gives her tools, opportunity, and a possible way out. But that does not erase the moral problem. Nina still places Millie in danger so Millie can become the weapon Nina needs.

This raises one of the book’s strongest questions:

Can desperate victims become morally compromised?

Andrew’s abuse has definitely compromised both Millie and Nina. This shows up in the way both women plan and act against him. But the author takes it further by showing both women eventually recognizing the disturbing irony of doing to Andrew what he had done to them.

Once out of immediate danger, both women begin to see clearly again and are willing to take responsibility for their actions. But several twists place them in a position for a second chance, which they quietly and thankfully accept.

The Movie: A Thriller About Women Getting Revenge

The movie keeps many of the book’s major pieces, but it changes the moral weight of the story.

Instead of letting the characters sit inside the consequences of their choices, the movie moves quickly toward release. The tension shifts from guilt to payback. The result is entertaining, but also simpler, cleaner, and less interested in confronting the human condition.

The book makes us wrestle with whether Nina was wrong to use Millie, whether Enzo was right to push Nina back into danger, and whether Millie crossed the line from survival into revenge.

The movie does not give those questions the same space.

By reducing Enzo’s role, the movie removes the character who most clearly acts as Nina’s conscience. In the book, Enzo forces Nina to confront what she has done. He reminds her that Millie is not disposable. In the movie, that moral pressure is shifted, softened, and sped up.

The movie also changes Millie’s final actions. In the book, Andrew’s fate is slower, darker, and more morally uncomfortable, forcing us to consider our own moral dilemmas. In the movie, Andrew’s punishment becomes more immediate and cinematic. That may work better on screen, but it also makes the ending easier to cheer.

The book leaves us disturbed.

The movie lets us applaud.

Copyright © 2026 by CJ Powers

The Shift—Review

Angel Studios, known for releasing The Chosen and Sound of Freedom, has released a dystopian sci-fi drama, The Shift. This dark and heavy film spends the first half of the story making sure the audience understands how devastating life can be. Based on the people I know, today’s audience doesn’t need to be convinced and would prefer having 10-15 minutes cut from the first hour.

The acting is well done. Neal McDonough (Captain America: The First Avenger, Minority Report) plays the Benefactor, who tries to control everyone. The show’s lead, Kristoffer Polaha (Jurassic World Dominion, numerous Hallmark movies), plays Kevin, a man who has to dig deep into his soul to determine what he stands for.

Kristoffer Polaha

Sean Astin (Stranger Things, Lord of the Rings) has a significant role in the film and delivers an impeccable performance. John Billingsley (Star Trek: Enterprise, Out of Time) was a delightful choice to play Russo, a curious skeptic who receives his own miracle based on Kevin’s steadfast beliefs.

The story opens with Kevin being down on his luck. He’s lost everything important to him and faces more pending loss. The Benefactor pulls Kevin out from the multi-verse and suggests he work for him, but if he turns down the opportunity, Kevin will be placed into a different world in the multi-verse, increasing his losses.

The film’s theme speaks to us doing what is right, not what is easy. Some have tried to lessen the theme’s impact by suggesting it’s about shining our light through little acts of kindness. But this film was much heavier than that trifle sentiment. It’s about choosing where you stand on high-pressure issues or philosophies and then living according to your beliefs.

If you can handle the extra ten minutes of sadness in the first hour of the film, you’ll find the rest provocative, giving you pause to assess where you stand on the hard issues of the day and whether or not your life aligns with your beliefs.

The Shift is in theaters starting on December 1, 2023. Tickets can be purchased at the film’s website. Also, Angel Studios empowers you to buy extra tickets to pay it forward to those who might not be able to afford tickets.

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Disclosure of Material Connection: I received one or more of the products or services mentioned above for free in hopes that I would mention it on my blog. Regardless, I only recommend products or services I use personally and believe will be good for my readers. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

Hillary Swank in Ordinary Angels

There are a few films I look forward to seeing each year, and ORDINARY ANGELS is one of them.

The film is based on the true story of Sharon Steve (played by two-time Oscar® winner Hillary Swank), a determined hairdresser in a small Kentucky town, who discovers a new life purpose when she meets widower Ed (played by Alan Ritchson: Fast X, Reacher), who has two daughters, one waiting for a liver transplant. Sharon sets her mind to helping the family, which generates incredible support, everyday miracles, and all from ordinary angels.

While I haven’t yet reviewed the story, I’ve learned it is more than a feel-good film. It is about the human condition and pulling together to help each other—making it a must-see in my book.

The problem is, as of the writing of this post, it is only listed to be in theaters on October 13th.

Mark your calendar now!

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