“Black Sheep White City” Enters Development

Last Friday, I facilitated a team of  creative artists that brainstormed a web series into existence. The creative process was a fantastic experience because each member, top people in their fields, collaborated in a way that drove our ideas into a great storyline.

The only rule was that we weren’t aloud to use the word “No.” This was much easier than I had anticipated because each person on the team commanded such great respect, due to his or her expertise, that there was no reason to ever say no. That’s not to say that we didn’t build on each other’s ideas, we did, but no one ever shot any idea down.

During a very short time, we were able to establish the overarching story arch, outline the beats of episode one, and develop the three main characters. We also selected key Chicago locations that will enhance the story and determined the beats of the story arch.

In all my years creating story, I’ve never worked with a team that pulled so many story elements together in such a short period of time. For instance, it took 24 hours over a three-day weekend to develop the first draft of the Tried & True story structure. This team did the same work in two and a half hours, which was absolutely amazing.

I’ve got to admit that watching creative experts brainstorm a story into existence was astonishing. The artistry, creativity, and playfulness had us dropping our jaws in awe of each other’s ideas. I counted the experience as a privilege to have been a part of it.

The seven or eight screenplays will be developed over the next three months with plans for shooting the first episode in January. Word has already gotten out and there are several actors clamoring to participate, based solely on the people involved in the creative team. The goal is to release the series toward the end of May.

While I can’t share too much about the story at this stage, I will say that it’s unique and centered on one of the facets that make Chicago the city it is. The locations are also very Chicago-esque and the story would not be able to be shot anywhere, except in Chicago. Even the characters will seem very familiar to those who’ve lived in the area for years.

During the development phase of the webisodes, we’ll be looking for sponsors to help offset our production and post-production costs. The fees will be low for the first season and the sponsor will have their ad embedded into the show so it will be seen no matter how many times the videos are forwarded.

Any companies interested in helping us launch this Chicago based storyline can contact me for additional information. Our goal is to get one million viewers during the first season, but we understand that the fans might push it much higher. The only thing I can confidently attest to is that the creative team is demanding the story is entertaining.

Copyright © 2013 by CJ Powers

Coming Home for Christmas – Review

Coming Home for ChristmasThe best part of the Coming Home for Christmas DVD release is its tie-in with Vudu HD video service. This allowed me to access a digital copy of the film within seconds of opening the DVD case. In fact, the digital movie popped up before my DVD player got the disc spinning.

While its commonplace for big box office films to make digital copies readily available, it was a pleasant surprise to learn that a new heartwarming film was quickly added to my Vudu cloud library after typing in a simple code. In addition, the DVD case held a Norman Rockwell reprint of his 1950 Plymouth ad Christmas painting.

But there was another surprise I received. Amy Jo Johnson (Wendy), who is known for her hard hitting roles in shows like Flashpoint, played a mom struggling with losing her family to a long standing emotional feud. Her performance showcased her diverse acting chops.

The story is about her daughter’s Kate (Carly McKillip) and Melanie (Britt McKillip) who haven’t spoken since Kate walked away from Melanie’s wedding because she was marrying the wrong guy. When Kate learns that the stress has separated her parents, she decides to reunite the entire family back at their original family home for Christmas.

Kate doesn’t allow the home being sold to deter her and heads to the house for a visit. The new owner (Ben Hollingsworth), who seems to be the ideal guy for Kate, interrupts her dreams with a reality check. The two banter in a fun RomCom way and Kate’s new friend decides to open his house to support Kate’s efforts of restoring her family.

It was not surprising to see how well Carly and Britt connected as sisters in the film, especially since they are sisters in life and co-performers in the band One More Girl. They’re gifted with a presence that commands attention from stage and it translated well in this movie.

Disclosure of Material Connection: I received one or more of the products or services mentioned above for free in hopes that I would mention it on my blog. Regardless, I only recommend products or services I use personally and believe will be good for my readers. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

New Filipino Film in Development

ManilaOne of my courageous friends, Producer Bill Snider, is developing a feature film that will be produced next year in Hong Kong and the Philippines. The story is about the devastating social consequences faced by Filipino families, when they choose to leave the country for jobs with the hope of providing for their families back home.

About five years ago, I conducted a screenwriting class in Manila and we polled both professional and amateur writers on what would be the most significant subject to tackle for a feature film in their country. The class unanimously agreed that the greatest Filipino story would come from Bill’s very topic and had the potential to culturally impact the perspective of millions.

It takes tremendous effort to tackle such a project, but that isn’t where Bill’s courage ends. He’s also developing the project within the parameters of the current culture and doing it in the Tagalog language. Not to mention doing it as he overcomes the after effects of Typhoon Haiyan.

While some might think Bill has taken on more than he can handle, the film is actually in good hands. Bill is celebrating his 25th anniversary with AP Media in Manila. He fell in love with the people and culture years ago and is passionate about making sure Filipino stories are developed by nationals.

In fact, he brought my friend Alex Lyons to the Asia Pacific region this year to conduct training seminars in various cities. Not only has Alex taught some of the latest cutting edge techniques to the nationals, but also he has personally gleaned knowledge from the professionals in each country. I’m confident it will be a year of travel Alex will never forget. Then again, he might decide to follow in Bill’s footsteps and hang out in Manila for the next 25 years.

In preparing the story, Bill’s team conducted personal interviews with several people that lived out the controversial decision to support their family through jobs obtained overseas. The writer tried to capture the essence of the good and bad consequences each out-of-country worker faced.

Since Bill is not one to offend, the story will reveal the ramifications of the decisions, without casting a judgment on those who have chosen that path. However, he will present another viewpoint that will help nationals understand they don’t have to follow society’s trends, but can instead do what is best for their own family.

After reading the translated script, I can’t help but wonder if there is yet another angle that might be worth considering, which doesn’t suggest good or bad decisions. Instead, it would reflect a choice between our personal love languages and how we are able to receive that love.

Years ago I read Gary Chapman’s “The 5 Love Languages,” which suggested we all interpret love in one of five main ways: acts of service; gift giving; quality time; words of affirmation; and, physical touch. While we all require some level of all five to be present for a healthy life, we tend to lean toward one as representing the core essence of love. Of course, knowing your partner’s key love language helps to know how to demonstrate love to him or her.

When a family member leaves to work overseas, it seems to stem from the concept of gift giving – providing financially. If the rest of the family holds to the same love standards, the travel is more likely to improve the family’s bond. But, if quality time is one family member’s core love language, then he or she will be devastated by the parent who leaves.

This concept suggests that working overseas would only be a benefit for those families where all of its members hold gift giving to be the core element in demonstrating love. Since the odds of that being true are low, the choice to work overseas and send money home to the family will always create a painful scenario.

So, what would happen if the mom first sought an overseas job with the intension to express her love by sending funds back home, but eventually realized that her kids understand the demonstration of love to be quality time, which she is no longer around to give? The main character would struggle to undo all of her choices in order for her family to see her as loving, after viewing her from the perspective of abandonment.

I believe those elements would make for a great drama. The protagonist would have to understand her own and her kids’ love language in order to give love to her kids in a way that they can receive it by the end of the movie – Making for a happy ending.

It will be fun to see how Bill’s creative team finalizes the script. After all, entertainment is the best way to alter culture and having been saturated in the culture for 25 years, I’m confident Bill shall make the best story decisions that will impact future generations of Filipinos.

Copyright © 2013 by CJ Powers