Since the Great Depression (1929-1939) the motion picture industry understood their lot in life was to bring hope and direction to society and dove into mass production. This was confirmed and continued during World War II (1939-1945). Even the post war rebuilding years (1946-1952) were palatable thanks to the movies, which only cost a few coins to attend. By the time our country was back on its feet in 1963-64, the cinema’s role in America was labeled the Golden Age of movies (1933-1963, some sources use 1927-1964).
The Hays Motion Picture code was enacted during these early years to make sure films for the general public were appropriate, respectful and encouraging. After all, hope and direction were important causes worth monitoring. But by 1964 the committee that managed the code and approved scripts that made it to the silver screen was pressured by its denominational headquarters to leave the “ungodly world of Hollywood.”
While some films continued to bring hope and a wholesome and unifying direction to Americans, other films brought the opposite. Freedom of speech was challenged beyond what was wholesome. Directional bias toward liberal and aggressive thinking rose in power. The movies moved into a period known as post-classical cinema followed by the angst and spectacle periods.
Today, America is in need of a new hope and a new wholesome direction. It’s the movie industry’s job to provide it, as it did during the Golden Age of cinema. Unfortunately most producers today are looking for message films to support their politics or their religion. Few care about making the types of films that will bring hope and a healthy perspective to the general public.
The more polarized our communities become, the more important it is for the movies to help bring a sense of unity back to the people. But who will heed the call?
Until artists of today find a way to bring unity back into the lives of our beloved characters, stories will continue to divide the population. It’s the duty of filmmakers to reach the general population with new ideas and unifying stories that can emotionally move the audience from our old destructive path to a new thesis world filled with hope.
There is a hungry world waiting anxiously for such films. They long to embrace them, but can’t find any in our noise filled market. Someone must step up and kickoff this new trend that is sure to be supported by people from various walks of life. Where is the first filmmaker ready to take the risk and cross over? When he or she steps forward, will you support that new breed of film? If so, you’ll be a part of bringing a new hope and direction to our society.