Turning Right into Creativity

Security camerasWhen I first met the spy, I thought he was kidding about his occupation. However, his explanations were plausible, so I listened further. It wasn’t until he started teaching me how to escape from a populated area that I knew he was telling the truth. Well, that is except for his name. I’m certain the personal information he shared was not real.

The best way to escape from any arduous state of affairs is to plan alternative routes in advance of a dicey situation. The preplanning process must be nonchalant and atypical of the most efficient route that we all conform to over time. This is true within the creative world, which helped me relate the need to escape with high-pressured creative sessions.

Here are the three spy lessons that have helped my creativity.

TURN RIGHT, NOT LEFT

To draw from your creative instincts during intense circumstances is like the spy who has to shift to his plan “B.” The man told me the first step in creating an alternate route is to turn right at your normal first left turn. This sends you in the opposite direction and forces you to make new decisions in developing a B-route.

During a creative session, at the first observable moment that a story beat is supposed to happen, its time to turn right into a new creative perspective. Coming up with a completely unexpected turning point in a story propels the characters into a mode of exploration. Further development is required to determine what direction or next step they must follow to survive.

Spies like unexpected twists in circumstances since few can guess what their next move might be. Only the well-prepared plan-B can help the spy survive the new reality as it unfolds, losing those who attempt to follow. Due diligence during the exploration phase will empower the spy to move quickly during the execution of the plan.

The search for new routes or creative viewpoints forces us to be alert. We are no longer able to function on autopilot, which helps us to avoid traps hidden within our customary creative reserves. When we lose the ability to rely on our habits to get by, we’re forced to innovate and keep one step ahead of the audience.

SKETCH NOTE NEW SURROUNDINGS

The spy told me to turn right and drive for a block or two, then pullover and sketch note everything I observe. The notes would be like a location scouting report with enough picture detail for strategic planning. Once the sketches are complete, he suggested I drive a couple more blocks, stop and repeat the process.

It was also important to figure out what the common next step might be for the average thinker and establish an unexpected action. This choice would then lead me down a new road for a couple of blocks. I’d then pull over and sketch again. Capturing every detail helps the spy during rapid escapes, and helps me during intense creative sessions.

WORK PLAN “C”, “D”, AND “E”

When on the run, spies know their pursuer is trying to out guess their every move to get two steps ahead of them. Those with great manpower throw several agents against the half-dozen possibilities with the hope that one will capture the spy or at least learn his next steps.

In the creative world, there are always a few in the audience who try to figure out where the story is headed before it gets there. I’m one of those who can usually guess the ending ten minutes into the film. Few movies startle me with interesting plot points that captivate my attention with surprise. When a director has multiple plans to draw from the audience is typically amazed at the new and fresh ending.

Pixar is known for brainstorming a dozen endings and then throwing them away for the sake of coming up with that one new idea no one thought about. Their productions take extra time to develop because they don’t want anything to seem old. They work every possible plan until they find the one that stirs the audience with both delight and surprise.

Meeting the spy gave me some interesting viewpoints to consider within my realm of communication and creativity. I even learned how to back into parking spaces for quick get-a-ways. But, there was one other thing I learned from the spy that bothered me. He said, “And whatever you do, don’t trust anything a spy says because he’s probably using you as a disposable asset in the moment.”

As the man disappeared from my sight, I realized that he might have lied about being a spy. And if he did lie, could I trust what he taught me? Certainly if he had told the truth, it was clear that I couldn’t trust a single word he had shared. Hmm, maybe the lessons in today’s blog aren’t lessons at all.

Copyright © 2016 by CJ Powers

The Responsible Creative

logicalThe title of this post seems like an oxymoron, but I assure you it is not. Part of the dilemma some face in seeing truth within a title, is based on their previous experiences that are founded on their sole perspective. Finding the truth requires a glance into the lives of others, enough time spent to understand the definition from a new vantage point.

Most creatives I’ve met are more responsible than their logical counterparts. The artisan, who shows up late to a function because he is emerged in the deep and intense development of an idea that will soon enrich humanity, is far more responsible than the person gloating about his logic because he managed to maintain a certain status quo on behalf of society.

Society demands of its artists that they move our culture forward, while demanding of those exuding logic to carefully maintain and preserve our current way of life.

The airplane pilot is a great example of a calm logical person assigned to sustain our status quo at all costs. When boarding a plane, no one asks the pilot to experiment with flight control during the trip. Nor do they request an adventurous ride that is sure to catch them off guard and spin their life into an exhilarating experience worth weeks of water cooler conversation.

We want our pilots to be mundane. Our expectations are for them to find the least risky path for the plane, avoiding even the slightest turbulence when possible. We also want every decision they make to be founded on a depth of experience and logic that is seldom argued. When all is said and done, the pilot is “responsible” when he delivers nothing more than safe passage and a smooth ride.

The creative on the other hand is pressed by society to exert every level of risk in bringing us something completely new and innovative. With hundreds of new television series released this year we all gravitate to the few that take the audience to places they’ve never been and reveal wonders of life and times they’ve never experienced. We demand the fresh ideas from our creative at any cost.

When he is tardy to social events, most chastise the creative because he didn’t meet the logical or responsible time frame for attendance. They forget that the creative is only late when he is deeply emerged in creating elements for our future. In fact, the amount of energy it takes a creative to not give in to the distractions of the event later that day, but instead hunker down to the hard work of creating the next big thing is perplexing.

To understand that the artist, who doesn’t live by logical standards, is actually responsible by creative standards is accomplished by seeing how the two work together. The balance or synergy between the two types of people moves us to a new level in life and maintains it until the next breakthrough. The forerunner to the smart phone is a great example of combined efforts.

A creative person dreamt up the Star Trek communication device, which appeared in the television series that promoted a universe where people of all races were accepted, worked as a team and kept in communication using a wireless flip phone type of device. It was the due diligence of the creative that took responsibility to avoid distractions and instead put in the hard hours of brainstorming to create the vision.

A logical man bought into the dreams demonstrated in each episode of the telecast. He put his electrical engineering degree to the test and soon invented the personal Star TAC wireless phone that flipped open just like the device on the show. He had taken responsibility to turn the fantasy into reality using the mundane principles he had mastered. With over 60 million units sold, our world quickly changed.

Two responsible people with great differences in the way they perceive life teamed to launch the popular demand of communication devices. The creative birthed the vision and through the magic of television demonstrated its use. The logical bought into the vision and turned the dream into reality. Together society moved forward.

So why is it that many logical people think the procrastinating creative isn’t being responsible when he consistently delivers ideas that shake and alter our future? After all, creatives need that down time to increase the productivity of their creations. The irony is actually seen in the artist’s perspective who always appreciates the responsible engineer that turns his fantasies into reality.

Why does mutual respect between the two never happen? Actually, it does happen. Most engineers love working with creatives because they love to work the puzzle of design into reality.

It’s the general public that attributes great responsibility and excellence to the logical process and little to the artistic process. Yet, the general public spends a third of their 24 hour day viewing and using things developed by the creative. It’s absolutely ironic.

The creative takes the responsibility to procrastinate, brainstorm and dive deep into figuring out how his vision will be structured for the next big thing, but few recognize the value of it until they can hold or watch the final product. Of course, once the final product exists the public acknowledges the diligence of the logical persons who turned the dream into reality and forget about the creative who put in incredible amounts of emotional energy to birth the idea in the first place.

Still, the creative takes responsibility to continue his efforts regardless of the missing applause for his due diligence. Yep, creatives are more responsible because they create regardless of the missing pats on the back.

Copyright © 2016 by CJ Powers

 

Capturing the Surge of Inspiration

If I were to write a formula for innovation it would look something like this:

Creativity * Inspiration = Innovation

There are few who will disagree with my formula, but almost everyone would admit that the tricky part is capturing and maintaining the surge of inspiration. Finding it is never the problem, as inspiration is always associated with life. When you find life, you find inspiration.

To find inspiration all we have to do is seek out the things that are infused with life. The meaning of the word is also associated with life. One definition is about inhaling to bring something to life. Another is about giving life. Still another is about a divine influence that creates life.

When you find a person who is full of life, you find a person that inspires you. If you are able to maintain a relationship with him or her, you have found a source of continuous inspiration. Many artists during the renaissance referred to inspiring people as their muse or a goddess that inspires. Today, we call the person a rare treasure and a joyful find.

CreativeMost artists find different people over time that brings about various levels of inspiration. Seldom do we come upon a person who overloads us with so much inspiration that we go off creating project on top of project—but it does happen.

The key is trying to figure out how to keep someone special like that in our life, especially when they need to receive something in return like any good two-way relationship. But what do you provide a muse?

During days of old, the artist would bring honest heartfelt emotions and words of love to the relationship—driving some into romantic relationships. During the late 1900’s partnerships were formed with each person bringing something to the table that the other needed to keep the business functioning. However, few people developed long term relationships, whether platonic or not, that was based on each person focusing on the needs of the other.

I’m convinced that when you pour some form of inspiration into another person’s life their heart overflows with joy, love and hope. The combination of those three things settles into the heart, which produces inspired words of affirmation and encouragement—life giving things in their own right that inspire the artist in return. This results in the artist being inspired more than they gave out.

In other words, if we sew seeds of inspiration into the lives of those around us, they may in turn inspire us. If my theory is true, then the best way to capture inspiration is by giving it away. To test my theory, I recommend that artists find ways of inspiring others and pay attention to see how much inspiration comes back to them.

But, if you are truly fortunate, you may stumble into a person who matches your synergy for inspiration. You both would fly high with joy overflowing because it takes little effort between you to generate more inspiration than what your humble hearts can hold.

I’ve only had that experience a couple times in life and I can tell you that you feel capable of changing the world because of them, yet you never want to leave their presence for fear that the inspiration might fade. You want to spend every waking hour with them, but instead you’re driven to create and innovate from your overflowing heart. That gift of inspiration gives birth to new ideas and work that changes lives. The inspired creative cannot sit still. He or she must respond to what they receive.

Since those experiences happen ever so seldom, I recommend you put my theory to the test and see if it works or not. Go out and inspire someone and let me know the results.

Copyright © 2016 by CJ Powers