5 Exercises to Break the Bias

I met with three businessmen yesterday and they all had the election on their mind. Their key concern was how the media manipulates the message to persuade the populus vote.

One businessman talked about Christopher Nolan’s latest Batman movie and how it seemed to send a message about our country’s problems being caused by the small business owner. The man’s concern was birthed in the fact that small buisness owners employ more people than any other company, second to the government.

So here’s the situation. If small business owners get hit with higher taxes, thousands of companies would be forced to reduce their headcount, creating the worst unemployment disaster our country has ever seen. And, the situation becomes more volital when the media informs the people that the opposite is true – Even in Batman.

So, the businessman’s follow up question was straight forward. How do we discern the truth from the media’s lies?

A good starting point is understanding the number one way bias occurs in the news.

Veteran CBS reporter Bernard Goldberg suggests that extra effort doesn’t need to be exerted to lace a story with propaganda, since the liberal messages in the news just happen as a result of the reporter’s own beliefs and life styles. He states, “The old argument that the networks and other ‘media elites’ have a liberal bias is so blatantly true that it’s hardly worth discussing anymore. No, we don’t sit around in dark corners and plan strategies on how we’re going to slant the news. We don’t have to. It comes naturally to most reporters.”[i]

Since the news is a genre within the television industry, it is constrained by the parameters established within the arts and sciences of its production values. Simplified, television “is the act of transmitting information, ideas, and attitudes from one person to another.”[ii] The person sending the message may or may not take a significant amount of time to mold or plan his or her message prior to it being sent.

Some times, like in the case of fast-breaking television news broadcasts, there is very little time to prepare the messages, let alone develop liberal angles for its presentation. The result is off the cuff news presentations as the information trickles in a little bit at a time, as was the case on September 11, 2001.

The first story on that historic day suggested that up to 50,000 people might have been killed in the World Trade Center towers. Once more detail became available to the reporters, the stories were corrected to suggest that on any one given day there are approximately 30,000 people present in the towers. Within a couple of hours the reports suggested that many individuals were evacuated, leaving about 6,000 in the towers’ remains. Days later, the number of individuals lost at ground zero dropped to around 4,000. A few weeks later, the final count of those who died in the attack on the World Trade Center was 3,016 people. This was followed by a corrected statement of 2,606 – Folowed by another corection of “nearly 3,000 people.”

Regardless of the slow stream of facts entering the newsroom, the reporter is aware of the need to fill time during a live broadcast in as professional of a way as is possible. To accomplish this the newscaster must think quickly and come up with words off the top of his or her head. Since the best way of doing this is by drawing from experience, many comments will have his or her liberal or convservative slant — Bias.

Here are some activities that can help your family become more aware of how the media impacts the news you watch.

Family Activities

1.   Videotape the News: What would happen if you videotaped the news and watched it multiple times? Do the “live” or “urgent” feelings you receive while watching the news disappear? Can you more easily separate the hype from the facts of a story? Are you able to discern “what if” statements that raise curiosity? Can you find neutral, factual words from those slanted right or left?

2.   Outline the Stories: What would happen if you created an outline, titling each news story in a memorable way? Would certain types of stories jump out at you, or would you see a pattern developing over a period of a week? Would you be able to discern the bias of the news team and its potential agenda? Can you detect if certain types of stories always follow a given pattern? Are the opening news stories alarming and do the closing ones act as a teaser for another newscast, or do they reflect good will? By having one of your kids time the length of the news stories, can they determine if it’s enough time to give factual details or only promotional hype?

3.   Determine the Program’s Format: Is the newscast done in a magazine, newsroom, or stand-up format? Is the room functional for news or designed with flashy electronics to keep your attention? Is special eye-catching lighting used during the news? What about the clothing – do the field reporter’s outfits enhance or detract from the story or surroundings? Does the reporter look better than life? Does the overall conservative visual image of the sets and reporter’s clothing help you accept a liberal bias without consideration?

4.   Create a Family Newscast: Can you get your kids involved in creating a news story to share with the family? What would happen if you created a conservative setting, dressed them in their Sunday bests, designed conservative poster boards highlighting the news story, and then let your kids share a liberal bias? Would the rest of the family catch the bias or be swayed in their judgment? What would happen if you first hyped the story by stating biased feelings as if they were facts – would everyone assume what you say is true?

5.   Establish Family Benchmarks: What types of questions to help analyze the news can your family come up with from a brainstorming session? Can you develop questions that reflect an opposite perspective from the reporter’s? What time-tested value or character trait will you use to establish a standard for comparisons of information.

Copyright © 2012 by CJ Powers

[i] Bernard Goldberg, Bias (Washington, DC: Regnery Publishing, Inc., 2002), p. 13.
[ii] Warren K. Agee and others, Introduction To Mass Communications (Harper & Row), p. 4.

The Sparkle Box – Review

I read the children’s book titled “The Sparkle Box” this past weekend and found it to be a perfect Christmas gift for children and young families. The story is about Sam finding a special box on the fireplace mantle and asking questions about it. His mom points out that the whole family will open it together on Christmas Day, but it first needs to be filled with a few special things.

Sam’s exploration of what items were to be added to the box was refreshing and childlike. The incredible illustrations supplemented this wonder and encouraged the reader to follow Sam through his particular actions that brought about hope, faith and peace.  The story was heartwarming and gave me the desire to put a sparkle box in my living room this Christmas season.

Author Jill Hardie wrote from the heart and her own family’s sparkle box experiences with the goal of refocusing her family away from commercialism, to the real meaning of Christmas. Christine Kernacki did a great job illustrating the book with her love for painting and desire to bring stories to life.

I was amazed at how many moments in the story I could relate to based on my childhood and family experiences. I found it to be the perfect story to help families develop a new tradition that includes adding a sparkle box to their Christmas decorations.

To help someone develop a new tradition that encourages his or her kids to see Christmas in a true light, I’m giving away a free copy of the book with a free sparkle box. To qualify, Just write a short essay (150 words or less) on why you’d like a free copy of “The Sparkle Box” and email it to cjpowers7@gmail.com with the Subject reading – “The Sparkle Box”

Entries must include YOUR NAME, STREET ADDRESS, PHONE NUMBER, and YOUR ESSAY. I will select one winner on November 1, 2012. The selection criteria are simple: I will select the one essay that touches my heart. If I’m touched by more than one, then I will draw a random winner from a hat.

Disclosure of Material Connection: I received one or more of the products or services mentioned above for free in hopes that I would mention it on my blog. Regardless, I only recommend products or services I use personally and believe will be good for my readers. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

Driving Your Character with a Secret

This past weekend I worked on a screenplay with a producer whose list of credits includes Nickelodeon and Disney. He specializes in children and family stories. In fact, we first met when he hired me to direct a children’s picture that went on to win several awards.

More recently we’ve teamed up to write a love story that is bookended by a courtroom drama. The story requires some very intense scenes and humorous relief to keep the audience focused on how the story will end. And yes, the boy gets the girl. But the “how” is unique and worth watching to see it unfold.

This story is very much driven by the three main characters. The dual protagonists are strong-willed and the antagonist has a deep secret that is revealed in act three that drives his passion throughout the film. This hidden secret is the fuel for many intense scenes and the quirky moments that the antagonist needs for relief.

To strengthen weaker scenes, actors typically employ the concept of holding a secret from their peers. The use of a secret gives the mind additional angles to consider during a scene and visually creates depth of character from the camera’s point of view. The subtle facial changes from the mere thinking of the secret during the shoot are actually picked up by the camera. And, since the audience doesn’t know the secret, it reads like there is more to the character than meets the eye, which is true.

Cameras have always been able to detect the real and separate it from the fake or make believe. That’s why actors work so hard to find common ground with their character and play the scenes as honestly as possible.

I recall a chat with Catherine Hicks, known for 7th Heaven and Star Trek IV: The Voyage Home. She shared with me that during the shooting of Game Time: Tackling the Past, she drew from a time when her daughter was in the hospital as a little girl. This fueled he role as a wife sitting in a waiting room anxious to hear the news about a family member. The use of this technique or secret that the audience doesn’t know brought more depth to her character and created an honest scene for the camera.

Some of the best screenplays infer something unknown in the character’s background that fuels the performance and passion of the actors. This passion or edgy unknown causes the audiences’ minds to fill in the gaps based on their own experiences, which strengthens their bond to the character. Once the bond is achieved, the audience must watch the remainder of the film to understand the character’s outcome.

In the case of my recent script, the person with the greatest amount of integrity carries the greatest secret. The character seems too good to be true until the secret is revealed. Interestingly enough, once the reveal hits, the audience trusts the character all the more, since she has overcome her life’s obstacle and had everything turn out for her good in the end.

What types of real life secrets have you drawn from to fuel your creativity?

Copyright © 2012 By CJ Powers