Respecting Another’s Property

Surprised ForemanIt was a beautiful summer afternoon and I headed out back to play hoops. I was startled to see three men wearing electrical hard hats and using a big machine to cut a trench in our backyard. I moved quickly to the men and called out to the foreman. He signaled the shutdown of the machine and moved next to me.

“Can I help you with something, son?”

“You’re not supposed to be digging in our yard.”

The foreman glanced through papers on his clipboard and then looked me square in the eyes, “My work orders say we are to dig a trench from your back fence all the way down to your front street.”

I remembered a similar topic my mom and dad discussed after dinner earlier in the week. They had a request from the electrical company to cut a trench in our yard and lay electrical cables to the main line. This would allow electrical poles across the backyards to be replaced with underground wiring.

My parents wanted to sell the electric company a right-of-way for their cable. They also insisted on receiving additional money to pay for replacement sod and other landscaping to cover the ugly trench, but the electrical company suggested there were other ways to lay the cable without my parent’s permission.

“My parents didn’t give you permission to dig on our land,” I stated boldly. “You are trespassing and need to leave.”

The foreman signaled his workers to give us some space. They headed over to the back fence and waited. Then the foreman faced me straight on, “I have to get my work done and can’t stop because a minor’s comments don’t match my paperwork. Maybe you should double check with your dad when he gets home from work.”

The foreman grabbed my arm and pulled me away from the equipment. He signaled his men to continue. One of the men started up the equipment and lowered the cutting arm down into the trench. Dirt churned and spilled out of the trench as the machine slowly moved toward the house.

I broke the foreman’s grip from my arm and tried to step away, but he grabbed me again.

“I can’t have you getting too close to the equipment. We wouldn’t want you hurt.”

“I’m headed inside.”

I yanked my arm free and ran to the back steps. I shot up to the back porch using every third step and headed in doors. The three men continued to work and cut an additional twenty feet of trench, while I was inside.

My dad had just woken up, having worked the nightshift. He was in the middle of swishing mouthwash around when I poked my head in the bathroom and shared the dilemma.

My dad commented, “I’ll be out in a moment. Maybe you can get them to stop, while I’m getting ready.”

I bolted out of the room and headed downstairs with a purpose in my step. My feet swiftly cut across the carpet in the foyer, living room and dining room. I picked up my pace as my feet hit the kitchen, followed by my hands shoving the back door open.

The screen door banged against the house and then bounced closed. I grabbed both railings and slid down without touching a single step. Both of my feet hit the sidewalk simultaneously. I strutted out into the backyard.

The foreman saw my vigorous pace and signaled the workers to take a break. I moved next to him and spoke with authority.

“My dad says that you are not to be digging in our yard and need to leave.”

“You called your dad at work?” he asked. “How long until he gets home?”

The look on the man’s face told me that he would continue digging with hopes of finishing before my dad showed up, but before I could tell him that my dad was home, the back door opened.

I was a little embarrassed by the sight of my dad standing on the back porch in a robe and slippers. His stark white legs glowed as he walked across the backyard. One of the men nudged the other and chuckled. The foreman moved over to chat with my dad a few steps away from everyone else. It didn’t take long for the conversation to get heated and loud enough for all of us to hear.

“I don’t care what your orders say, get off of my property.”

“The only way I’m sending my team home is if the police show up and tell us to leave.

A sudden calm came over my dad’s face. He turned around and headed back into the house.

“Guys, let’s get digging,” the foreman shouted. “If he’s calling the cops, we’ve got to get the trench dug before they show up.”

The machine was started and the arm ripped deep into the trench. Within seconds the machine was tearing up more ground and headed toward the front street. I watched the foreman look glibly at me, as if my family had been defeated. I wondered why my dad walked away.

Suddenly the foreman’s mouth dropped open wide. He quickly signaled the workers to kill the machine and join him. They all turned pale as they watched my dad, now in his police uniform, walk toward them. The foreman noticed his sergeant stripes and looked like he was about to pee in his pants.

My dad stood tall before the three men, “I am ordering you and your men to stop working. You have exactly 20 minutes to remove all your equipment from this premises or you will be arrested for trespassing and for disobeying a police officer’s instructions.”

The men immediately broke down their equipment and made it ready for transport. The foreman sheepishly stepped up to my dad and tried to suggest there was a mistake in his records and would see to it they were fixed. My dad paid little attention to him and headed into the garage.

When dad pulled out of the driveway the foreman turned to me and asked, “Hey kid, where’s your dad going?”

“To pick up his police car so he can come back and arrest you.”

“That won’t be necessary. We’ll be gone in just a few minutes.”

I grabbed my basketball and shot layups, while glancing every so often to see their progress. They were gone within fifteen minutes with no desire to return. My dad did his part to make sure they didn’t return by having police cars patrol the area a couple times every hour until he came home for supper.

The next day the foreman’s supervisor sat down in the living room with my dad and apologized on behalf of the company. The workers never returned and my family was compensated so we could repair the landscaping.

Copyright © 2013 by CJ Powers
Photo © kennykiernan – Fotolia.com

5 Reasons for Using a Director Viewfinder

Mark V Director ViewfinderI was recently on the set of an independent feature film and realized the one thing slowing down their production was an indecisive director who lacked a director viewfinder. Instead of the director quickly determining what type of shot set-up and lens he wanted using the glass, he made the camera and grip team move the equipment around 2-3 times to determine each set-up. That choice cost them 45 minutes of shooting during the time of my visit.

The experience prompted me to provide 5 reasons why independent filmmakers should use a director viewfinder:

  1. PREPRODUCTION: Many directors create a shot list and map out their camera set-ups during preproduction. Some use small objects to represent their talent and test their blocking with set prints, models, or taped tabletops. By using the director viewfinder in this way, the director can estimate the approximate camera position for the DP prior to the shoot.
  2. LOCATION SCOUTING: Few independent productions have the benefit of a location scout.  By keeping a director viewfinder handy, the filmmaker can immediately test the composition of any cinematic location he stumbles upon.
  3. DEVELOP DP SHORT CUTS: The director viewfinder can be set to any standard aspect ratios (Academy, TV-4X3, 1.66, 1.76-16X9, 1.85, 2.35, and 2.55) and formats (Film: S16, 35mm, Anamorphic and Video: 2/3”, 1/2″, 1/3”, Mini DV, 1/4″, 1/5”, 1/6”), so when the director finds his shot, he can immediately share the specifications of the shot with the DP by looking at the settings. This allows the DP to quickly delegate important information to his camera and grip teams.
  4. SIMPLIFY GRIPS JOB: Film shoots can require multiple cameras, dollies, cranes, jib arms, etc. Having the grips set and shift each set-up until it’s close to the director’s vision tires the team and slows down the shoot. Ideally the equipment would only move once per set-up, which is easily facilitated by a director using his viewfinder.
  5. PREPARE FOR A STUDIO PICTURE: Directors need to build skills and good habits that create productive conditions during a shoot. A director who burns $50-$500 an hour on a small production is typically more wasteful than a director working a studio picture, who uses a director viewfinder and burns through $5K-$50K per hour. He typically has a process or methodology that provides a highly creative and efficient environment.

Mini Director ViewfinderEveryone knows that a writer must have software to properly write screenplays, but few understand the critical importance of the director viewfinder (and the director notebook). The viewfinder allows the director to pre-visualize the limits he places on the audience and allows his first step in translating the written word from the screenplay to a visual for the silver screen.

By carefully selecting the right series of images, the director is able to move the audience emotionally down the path of his choice. He is able to determine what they see and when they see it, making them vulnerable to his dramatic story. To that end, I started using a director viewfinder with my first directing job and found it to be a tool I couldn’t live without.

I have the Alan Gordon Mark IV director viewfinder (The latest version is the MarkVb) and the Opteka mini director viewfinder. While the glass is better on the Mark IV, the mini has the latest formats and aspect ratios. The mini is convenient to carry in my pocket when I don’t have my backpack handy. Prices range from $99 – $700+, depending on the features desired.

Copyright © 2013 by CJ Powers

Gangster Squad – Review

Gangster Squad All-Star CastGangster Squad did not take advantage of its all-star cast, but was enjoyable enough to download someday as a rental. The 1949 story was about Mickey Cohen (Sean Penn) who worked to build an empire that would take over all off-track-betting from the Pacific to the Mississippi. LAPD Chief “Whiskey Bill” Parker (Nick Nolte) pulled a task force together headed by Sgt. John O’Mara (Josh Brolin), to bring Mickey down. O’Mara handpicked the team with his wife’s help and started banging heads before they were ready or trained.

While the film fired off more bullets in the climax than the action required, the story had a softer edge like the ABC series Castle, written by the same screenwriter, Will Beall. The softer edge might also be attributed to producers Kevin McCormick (The Lucky One) and Michael Tadross (Arthur).

This shoot’em up was R-rated for strong violence and language, which mostly took place in the second half of the film. Emma Stone did a great job playing Grace Faraday, Ryan Gosling’s love interest, but her scenes were designed more as eye-candy than plot or character development.

Gangster Squad PosterSean Penn was the greatest disappointment, but not due to poor acting. He excelled as Mickey, but deserved a far meatier role than this story allowed. His fake nose was believable, but it wasn’t necessary given the soft TV oriented screenplay.

One scene was completely removed in order to soften the film and a replacement shot. The original scene depicted a group of men breaking through a movie screen and shooting up the audience. Once the news hit with the Aurora, CO Dark Knight tragedy, the film was shelved until January so the scene could be replaced.

Overall, Warner Brother’s attempt at bringing back the studio’s series of gangster films never left the ground except for those who like the bland gangster stories from their grandparents youth. In my mind the rebooting of this dusty franchise failed to capture the contemporary audience, for which it was intended.