Conservatives Bash Their Own While Liberals Control the Media

I recently interviewed a man who grew up in a pro Newt Gingrich household, but he shifted his voting perspective to Romney after wealthy friends shared that he was the only possibility to beat Obama. That was until he learned that his democratic coworkers were supporting Romney. He soon found out that the one person the Democrats had no clue how to attack without alienating middle class Americans was Rick Santorum.

The man continued to explain his appreciation for how the Tea Party originally supported Michele Bachmann and his excitement over Ron Paul’s Libertarian roots and track record. He informed me that neither one was prepared for the attacks by Republicans in the primary.

After chatting further about how a house divided would surely fall, our discussion shifted to “The Hunger Games.” He was thrilled that the film had an anti-big government message. While subtle, he felt it was one little step forward for conservatives, even though the film is morally bankrupt with children killing children.

The conversation shifted to the perfectly timed “Bullying” documentary that released during a time when the Bully agenda was trying to get through the Illinois Senate. He noted that its timing was no mistake, as the film’s release was well planned out by liberals. My response was simple, “What did the conservatives do with the media during the same period of time?” He looked at me like I was crazy.

I couldn’t blame him, as I got on a soapbox about how dozens of films are financed by liberals each year and how conservatives fund few. It doesn’t take rocket science to know that the one paying for the message gets to determine what our country watches. The funny thing is that conservatives love to police the ratings and complain about the content, but they lack in producing great alternative films.

I recently attended an event with numerous filmmakers. Many of us had the opportunity to get significant funding for our next film project, but there was one catch. We had to include one pro gay scene and an anti-gun message. Every liberal filmmaker jumped at the opportunity, while the three of us conservatives chatted about our integrity.

It doesn’t take a genius to figure out that the media drives our society and changes opinions. It only took a handful of tweets for Obama to capture the under 35-year-old vote. And, advertisers see a huge jump in sales every time they invest in product placement with a movie takes off.

So where are the conservative film investors? Why aren’t they funding some incredible stories that can make a positive difference in our children? We live in the age of information and it appears that conservatives have forgotten to show up, allowing liberals to instill in the young a future agenda that will make the last 20 years look like child’s play.

Dinner with WGN Critic Dean Richards and Documentary Producer John Digles

Seldom do I find myself in a fancy enough restaurant where every course is paired with the proper wine to heighten the food’s flavor, let alone sharing great conversation with those in the industry. But last night was just that kind of a night and I must add that executive Chef Jean-Louis Clerc, who specializes in French and international foods made the most incredible duck I’ve tasted in years.

Dean Richards CriticDean Richards, known for his movie and entertainment reviews at WGN, joined me in giving the chef an A+ rating. The flavors were so perfect that it was easy for Dean to let his Oscar picks slip prior to his official announcement during his Sunday Morning show this past weekend.

Dean and I were mostly in agreement with the amount of politics that play a role in the Oscar voting process, but we did differ on a handful of choices. Unfortunately, that doesn’t bode well for me since he is running at an annual accuracy rate of 97% with his Oscar picks.

Dean is thinking that “The Artist” will win best picture, but I’m holding out for “The Help”, which made me feel for those discriminated against and put laughter in my soul in the process. When it comes to best actor, we agreed on George Clooney, even though we both would prefer to see the Oscar given to Jean Dujardin for his portrayal in “The Artist,” as his acting was phenomenal since he had no dialog to work with.

Best Supporting Actor was a no-brainer with Christopher Plummer’s performance in “Beginners.” We were in agreement with Best Actress going to Viola Davis, although Meryl Streep certainly deserves the win. We both felt like the Best Supporting Actress would go to Octavia Spencer. Beyond that, our tastes diversified and I found hearing about his life experiences with numerous stars far more fascinating than our varied tastes in film.

John Digles Producer ActorProducer and actor John Digles added greatly to the evening. We both were raised in cop families and found our passions for filmmaking to be similar enough to exchange contact info. John just released his PBS documentary “The 95th“ on Hulu and is hoping it gets strong viewership. When I asked him about selling it to the History channel, he pointed out that it was more artistic and personal than what they prefer, as he had spent three years getting to know the veterans he filmed.

During one scene he follows a WWII sniper to France were he walks the steps he took during the war and based on the angle of a particular steeple, finds the exact place he took a bullet and prayed to survive. In that very moment of filming the documentary with the vet’s first return to the site, the sniper was finally able to get past the shock and fear he had experienced in the war that haunted him. His countenance changed.

John’s latest film is “Design”, which he produced and starred in.  He just returned from the Sundance film festival where he networked and negotiated several deals. This daunting task came a bit easier for John as he is an expert on marketing to Millennials using transmedia storytelling, the latest in effective techniques.

The night ended with me determined to watch Dean Richards on the WGN Morning News and John Digles’ documentary on Hulu. Not to mention my determination to return to the Waterleaf restaurant for more international cuisine.

Best Foreign Film Oscar Nominations TBD

a separation and in darknessThe Motion Picture Association of America reduced the 63 qualifying movies for Best Foreign Film down to a short list of 9 pictures. This weekend they will further reduce it to the official 5 nominations. Special committees in New York and Los Angeles this weekend will cover the daunting task. The results will be announced on Tuesday.

The short list includes: (Clicking on the film title below will bring up an article by The Hollywood Reporter on the film)

Belgium: Bullhead
Canada: Monsieur Lazhar
Denmark: Superclasico
Germany: Pina
Iran: A Separation
Israel: Footnote
Morocco: Omar Killed Me
Poland: In Darkness
Taiwan: Warriors of the Rainbow: Seediq Bale

The 84th Academy Awards will be held Feb. 26 at Hollywood’s Kodak Theatre.