Birdman Wins Golden Globes Best Screenplay

birdmanBirdman took Best Screenplay award at the 72nd Golden Globes last night. It also won Best Actor (Michael Keton). The film nominations included best comedy or musical, best supporting actor (Edward Norton), best supporting actress (Emma Stone), best director (Alejandro Gonzalez Inarritu), and score.

The Academy will release its nominations on Thursday for Oscar® considerations, but to give everyone a head start, I’ve attached the submitted version of the screenplay for your reading pleasure. Birdman Screenplay

Happy reading!

The Identical — Review

The IdenticalThe Identical (Blu-Ray/DVD release on January 13, 2015) is almost a “what if” story about Elvis and his stillborn twin. It’s almost a concert film. And, it’s almost a historical biopic. But, regardless of the scattered focus, the film delivers a story of an unknown twin that finds his true calling in life rising from the ashes of all that held him back.

But that’s not all.

The film is also about the father, an itinerant preacher, who adopts the twin and pushes his son to follow in his footsteps, but later sees the importance of having his son be what is right for him to be.

The story was a little confusing with dual storylines taking turns driving the film, rather than one being the subplot of the other. This directorial choice made me wonder if the film was actually about the father, especially since by the end we see a transformation in the father’s approach to wanting what’s best for his son.

Ray LiottaThe character that changes always gets our full attention and the twin never changes. From the beginning of the film he is a part of music and by the end of the film he is a part of music. Even when his father attempts to push him away from music, he secretly stays connected to it. He is always about music and continues to be about music through to the end.

Blake Rayne, a real life Elvis impersonator, is The Identical. But, in real, real life he is Ryan Pelton, as Blake Rayne is a stage name – the name he uses in the film industry. Now, if that isn’t weird enough, Rayne plays Drexel Hemsley (An alternate world Elvis) and Ryan Wade (The alternate world’s living twin of Elvis). Of course, by the climax of the film he learns that he is actually Drexel Ryan Hemsley.

I was also confused by two messages that the audience is left with:

1. It’s a man’s job to learn to stand in his truth.
2. If He (God) is in your dreams, nothing can stand against them.

The first theme is the most powerful, as the story follows Ryan’s struggle to learn who he is and his purpose in life. As for the second theme, it seemed to be added to help attract the faith-based market.

Instead of Ryan chasing a specific dream, he works hard to clear his confusion in life, surrounds himself with music, and attempts to figure out who he is – A great singer who’s not in it for the money. But, this storyline is greatly overshadowed by Ray Liotta’s (Goodfellas, Hannibal) performance as the father/itinerant preacher.

Once you get past the muddiness of who the picture is about, there are a lot of positive things in the movie worth enjoying.

The picture spans five decades and was well crafted by Production Designer, Keith Brian Burns (2 Fast 2 Furious, Abduction, Four Brothers). Each period is well executed and takes you back to the look and feel of the era. The only exception is the polished nostalgic look with new props and mint vintage cars instead of things carrying different ages of use and dirt.

Ashley JuddAshley Judd (Divergent, Double Jeopardy, A Time To Kill) commands attention on screen as the perfect woman who keeps her house together, while respecting everyone in it regardless of their mistakes and passions. Her performance even changed subtly to fit each decade’s style.

Seth Green (Austin Powers, The Italian Job) and Joe Pantoliano (Bad Boys I & II, Daredevil, The Matrix) gave great performances with new characterizations that added humor to the story. Erin Cottrel (Little House on the Prarie, The Janette Oke “Love” films), gave an inspiring performance as Wade’s wife that would cause any man to love her for eternity.

While I can understand why critics slammed the film for its muddied story, it’s worth a closer look now that its being released on video January 13, 2015. The best part of the Blu-Ray/DVD release is the 85 minutes of bonus content including a making of program, behind the scenes footage and deleted scenes. Hearing from the key players and what they tried to put into the movie was eye opening and made the film worth watching a second time.

Show Don’t Tell – Unless You’re Christian – What!?!

I was working at Lucent Technologies during the beginning of my heart wrenching divorce. The battle to save my marriage was so intense that I dropped from one of the top ten employees, out of the hundreds holding my same title, down to the bottom of the barrel. I was laid off. Yes, I lost my job and marriage within weeks of each other.

A few weeks before I was escorted out of the office, one of my associates asked me if I was a Christian. It took me by surprise, since I hadn’t shared anything about my beliefs with him. I asked what caused his curiosity.

He told me that he watched my divorce meltdown and how I reacted to it, which was very different than what he had witnessed with others. He shared how I kept my tongue and made my decisions based on love, rather than the pain I was immersed in. He assumed that for me to be able to live in that manner required a supernatural force and he needed it confirmed.

Simply put, he had witnessed what I had shown, not said.

In writing and filmmaking we are taught: Show don’t tell. In Sunday school we are taught to tell. Jesus, however, pointed out the importance of action over words when he said, “My little children, let us not love in word, neither in tongue; but in deed and in truth.”

While he wasn’t telling us to not say anything, he was pointing out the importance of action behind our words. That same sentiment is a great rule in storytelling.

Ashley JuddI watched the movie The Identical this week and found that the film had two messages: The one that the writer forced into the story; and, the one that rose out of the story or the action plotline.

Because the movie showed certain decisions and actions, a theme rose from within it that was perfectly summed up in Ashley Judd’s (Louise Wade) dialog: “It’s a man’s job to learn to stand in his truth.”

The writer, however, artificially presented a different theme in Judd’s dialog: “If He is in your dreams, nothing can stand against them.” This is the same theme showing up on the Blu-Ray and DVD packaging due out on January 13, 2015, but it doesn’t reflect the true voice of the story. Clearly the shown theme was more powerful than the stated theme.

Showing is always more powerful than telling, yet in the Christian marketplace film investors continue to require filmmakers to tell certain things in their films rather than just show or demonstrate them. The odd thing is that it weakens the story, which should be of great importance to the sending of a message.

I also find it peculiar that in all of Jesus’s teachings done through story, he always showed the action to reveal the key point and he never told the point outright. So, why is it that when I watch a Christian or faith-based film that the point is always told to me in the most obvious fashion?

The most powerful films made over the past few years in America were either stories of redemption or patriotism. Both of which can only be shown, not told. Oh, and I’m not including those films that said they were redemptive stories, but really weren’t. I’m talking only about the films that were actually redemptive stories.

Like my associate at Lucent pointed out to me, the power in the message comes from the display, action or demonstration of the truth, not from the telling of it. This fact is something I hope Christian filmmakers grasp in 2015. After all, the story structure Jesus used in his parables was show don’t tell.

Copyright © 2014 by CJ Powers