Decades ago the major studios drew audiences to the silver screen with big extravagant pictures. A few decades later movie stars became the biggest drawing card to pack out film houses. But recently we’ve seen a shift to a new role that is drawing in millions to the box office—the director.
The audience is no longer willing to sit through a star driven movie just because their favorite actor plays a role in the film. Over the past few years, films that had Bruce Willis in its trailer or on the one sheet poster disappointed many. Why? Because the films weren’t really Bruce Willis type films. He was just in the movies for a paycheck.
This summer we saw a lot of film actors fail to deliver audiences to theaters like Scarlett Johansson’s Ghost in the Shell and Rough Night, Tom Cruise’s The Mummy, Charlie Hunnam’s King Arthur, and Johnny Depp’s Pirates of the Caribbean: Dead Men Tell No Tales.
But it was the directors that brought the solid draw as social media buzz surrounded the filmmakers, not the stars. The successful films used lesser-known actors in leading roles under the guidance of strongly directed vision. The box office successes included Jordan Peele’s Get Out, Edgar Wright’s Baby Driver, Christopher Nolan’s Dunkirk, Jon Watts’ Spider-Man: Homecoming, and Patty Jenkins’ Wonder Woman.
Tom Rothman, chairman of Sony Pictures Entertainment Motion Picture Group told Variety, “To be theatrical, you need to be distinctive now. That’s what Spider-Man and Baby Driver have in common. Even though they are as different as night and day, the audience can feel both are distinctive, and so theater-worthy.”
Director Alex Kendrick, of the faith-based Kendrick Brothers, has carved out a niche for himself that draws in enough audience to generate about $60MM every time he releases a film. While Sony has rarely understood how he does it, they have acknowledged his distinctive films. In fact, there have been many who have tried to follow in Alex and Stephen’s footsteps, but all have failed to replicate their distinctive style.
One of the reasons I study a lot of film is to make sure I create something that hasn’t been done before. A director’s style coupled with his writer, DP and Production Designer choice makes for a uniqueness that is seldom replicated. The heart and soul of his vision must come through in order to create a successful title that will storm the box office.
There will never be another Christopher Nolan or Alex Kendrick, no matter how often a budding filmmaker suggests he offers a similar style.
I’ll never forget listening to an interview with Phil Vischer, of Veggie Tales fame, before he became famous. In the interview he was likened to Walt Disney, which surprised me since I was familiar with both artists. The two were highly creative and did the voices for their primary animated characters, but their styles and audiences were very different.
The thing I remember most about the interview was how quickly Phil’s distinctive style was getting lost behind the Disney name. Don Bluth, known for The Secret of NIMH, had the same problem differentiating himself from Disney. It takes a strong director to carve out a niche for his own style that is memorable and draws an audience to the box office.
So who’s your favorite director?
There are talkers and there are listeners that will hopefully never meet. They’re missing the chief cornerstone of relationship when only focused on half of the equation. Talking and listening actively is relationship.
Living next to train tracks delays my exit from the parking lot often. It gives me the opportunity to watch the characters biking, walking, jogging and running on the Prairie Path just north of the condo. Once the tracks are clear, I focus on the unique cars that stream past until I can find a break in traffic to pull out.
CJ's Corner 