Quest #003 – Lunch with Don Furr

Don_FurrQuest of the Nail Prints author, Don Furr, flew to Chicago last week to discuss the film and his second book Peter’s Quest. After discussing the differences between the original story and the movie version, we talked about the possibilities of combining efforts to restructure the sequel.

While this would tie the two storylines into one, versus maintaining parallel stories, it would require about a 50% rewrite for Don, who is on deadline for his sequel. There are several benefits that can surface if both storylines follow the same premise, but there are also a few negatives as well.

Creating the same storyline, allows for joint promotional dollars to expand the audience for both products, but the flip side would require Don to let go of a few creative ideas during a collaborative brainstorming session. This issue of letting go of one’s original work can be one of the most difficult things for an author to face.

Don’s storytelling abilities in the literary world have worked well for him, as he continues to receive unrequested endorsements from visible people and celebrities. However, Don has also caught on to the fact that film is a very different medium and he has loved most of the changes we’ve made in the screenplay.

A person reading both the book and the screenplay would recognize how much more visual the story became. Don’s book allows more exploration into the subtle nuances found in relationships, while the movie takes the audience on an exciting adventure of unexpected revelations.

The best part of the collaboration process is that Don and I hit it off well. We appreciated each other’s creativity and admired our shared ideas. I have no doubt that a great merging of the minds could take place for the sequel, but Don must first decide how much of his future plans he’s willing to alter to make the alignment possible.

This is not an issue of ego, as some might assume. It is all about how the two different media can tell the story. The greatest difference is that books can place the reader inside of the main character’s head, which is handled by a weaker process in film — A character thinking out loud or dialoging with another person .

On the other hand, film can quickly show subtle nuances that might take a book too long to explain, causing the pace of the story to waver. This delay might drop the reader out of the adventure. The key is figuring out what story to tell and what medium allows it to be told in the best possible way. And, what elements will work in both media.

The decision will be made within the next two weeks. In the meantime, we have plans to talk with a distributor in advance of production, and we will meet with a major retailer who wants to participate in a large promotional campaign for the DVD/Blu-Ray, book and soundtrack. This joint promotion will create 200,000,000 impressions – A very successful ad campaign. To help you with perspective, the average independent film generates 1,200,000 impressions.

Copyright © 2013 by CJ Powers

“Working Title” #8 – The Grandfather Clause

ScoutingYesterday we finished the Cast Breakdown for the Casting Director. We’re very fortunate to have found a very talented person with lots of great connections to name actors. It looks like we’ll be able to attach 3 big names and 5 familiar faces to our show based on our new shoot dates of Aug. through Oct. in 2014.

There is only one hitch.

If you’re up on the latest in entertainment news, you’ve no doubt heard about the states that are dropping their tax incentives by the end of the year – Including the federal tax credit program. This will make a 30-33% difference for the investors.

Thankfully, one of our lawyers notified us about a legal loophole that will allow us to keep the incentives and tax breaks for our 2014 shoot. To meet this grandfather clause, we have to shoot one full day of principal photography in 2013. It can’t be second unit work, but actual production work.

The only scenes we can shoot this December will be our winter scenes, which take place on horseback in the snow-covered mountains. To facilitate this one-day shoot, so our investors can receive the 30-33% tax break, I’ll be flying to Spokane, Washington in November. This will give me an opportunity to talk with a family that owns a ranch, where my oldest daughter rode a horse last winter.

My youngest daughter and I also found a ranch in Colorado that might work as a back up site, but they normally close during the winter. The best part of location scouting for horse riding scenes is our ability to test ride the horses and see incredible scenery – One of the perks of filmmaking.

The bad news about shooting principal photography for one day this year is the additional costs incurred to pull the team together. Instead of spending $10-15M per hour as budgeted, we’ll be spending closer to $20-25M per hour. However, we’ll save the investors from paying taxes on $1.8MM or be able to sell those tax incentive credits to another company for $0.80 on the dollar – Making back in cash about 20% of our budget.

Regardless of how we take advantage of the benefits, it makes sense to spend $250M for a day in order to cash in on the Grandfather Clause and return $1.8MM to our bottom line. Oh, the cost of money.

One thing is certain, there will be a lot of production companies shooting for a day or more before this calendar year says goodbye to the tax credits. I’m thankful we have a team of experts looking out for us and giving us the latest concerning the entertainment and film incentive tax laws.

Copyright © 2013 by CJ Powers
All rights Reserved.

Why I Perform

With two feature film projects in development, you’d wonder why I’d take time to do improvisation and speaking engagements. The answer is simple: I want to understand actors. The only way I’ve found that allows me to get into the heads of the talent I hire is to become a performer on the side.

Two months ago, I was convinced by a friend to enter a Humorous Talk competition. It was a brutal experience that reminded me how vulnerable actors are. It made me want to protect them and their performance at any cost. The funny thing, I took first place and moved to the next level of competition, where I again took home a trophy.

The experience caused me a lot of turmoil. I mean, do you understand how hard it is to plan on being funny?

This was serious work, which isn’t funny in the least. It took everything I had for several weeks to appear funny in the moment. Thankfully, I was blessed with a crowd filled with belly laughter and my stories set off a chain reaction of joy like nothing I had experienced in life.

Last night was a bit different, as I performed a half hour improv show that turned into a 90-minute celebration of humor. That’s right, the show was scheduled for 30-minutes and the audience was laughing so hard that we tripled the length of the show.

The cast was made up of two Chicago improv instructors, two people from Second City, and a beautiful improviser from Brazil, and me. Magically we all clicked and came up with some of the funniest scenes in the moment, which frankly caused the performers to crack up too.

The show worked so well that one social beast from the audience was compelled to jump on stage in character and perform a ten second cameo, which caught everyone by surprise. Then it happened. The producer decided to try something unique. She invited every audience member to the stage to play an improv game. Only three people stayed in their seats. I had never seen anything like it.

The laughter and applause from both events, coupled with the insecurities of possibly making a complete fool of myself, made me realize that actors are a breed unto themselves. This level of experience gives me the perfect tools I need when I direct, which is exactly why I perform.

Copyright © 2013 by CJ Powers
All Rights Reserved.