The Misunderstood Creative (pt. 1)

yard saleI get tired of being misunderstood. My sister aptly put it, “You think the exact opposite way of me.” Of course, she said this after being surprised that I did something counter intuitive to what she would’ve done. The thing I found the most amusing was the look of surprise on her face.

Since she knows that I think differently, I’m still trying to figure out why she always assumes that I’d respond in the same way she does. The juxtaposition of her thoughts and comments makes me wonder if the people who misunderstand me are subconsciously trying to stick me into a box that makes them feel comfortable.

Neurologists have confirmed in numerous studies that highly creative people think and act differently than the average person. One white paper was clear that the brain is physically wired differently. I’ve been told that 1 in 10,000 people are highly creative, but I haven’t heard how many of those people are in a position to create something that impacts our society.

The numbers are staggering and suggest that most people don’t even know a highly creative person, especially since the creatives tend to clump together in the arts. Out of those who do know one, those who also love them have probably experienced moments when they seem to be living in a completely different world, which they do.

The key is that trying to change them or fit them into a box that’s comfortable for the average person only creates problems. Instead, the average person is better off trying to understand them. Here are a few ideas that can help bring understanding to the thoughts and actions of the misunderstood creative.

1. Watch the Wheels Turn. Friends from time to time ask me the question, “Don’t you ever give your mind a rest?” Whenever they look at me they can see the gears in my mind grinding away on some creative notion or perspective.

Even while I’m typing this blog I’m contemplating how to help an automotive firm win a marketplace ethics award for 2018. The wheels rarely stop, but they do slow down at times. It’s something people close to a creative should always remember.

2. Always Asking “What If?” The creative is curious. If he asks you a question its typically to learn, not to make a point or to test your resolve. The more information a creative collects, the more likely he is able to come up with something new for society.

Unfortunately the creative’s friends sometimes think they’re under interrogation, but in reality the creative respects them enough to ask lots of questions. By asking “what if” type questions, the creative easily shifts his perspective to many different angles, which gives way to new unique solutions.

I once attended a think tank meeting with 25 creative people at a Fortune 50 company. Our task was to come up with 100 ways a specific invention could be used. Within the first 60 seconds many people came up with two-dozen ideas. By the end of five minutes several people had exhausted their ideas with about 40 – 50 solutions. I had filled in all 100 slots on my paper and asked, “What if the paper had 200 slots on it?” I started to write in the margins.

3. Embracing Their Genius. Creatives tend to embrace who they are more than being understood. Staying true to oneself for the sake of integrity always outweighs the bling or offers associated with compromise. In fact, they are so focused on being who they are that they seldom climb into the box others suggest will help them in life—most don’t even realize the box is being offered.

Two years ago I was given an opportunity to make a faith-based film and I turned it down. People thought I was nuts for not compromising so I could make a theatrical picture. The problem was that I know what kinds of stories resonate with me and those are the stories I want to make. Anything else wouldn’t be in keeping with who I am.

4. Follow the Flow. Projects seem to ebb and flow with creatives. Big gaps in efforts seem to happen out of the blue followed by almost manic surges of incredible brilliance. This isn’t because the creative is bipolar. Creatives incubate their ideas in a way that cause most people to think they are inactive—forgetting that they think differently with gears that never stop.

When my kids were growing up, we found ourselves standing in a long line waiting for food. A comment about being bored came up. I pointed out that life was not boring, there are only boring people. The kids quickly learned how to fill their waiting in line time with creative and fun thoughts. To the average person, my kids were well behaved and standing in line quietly, while my kids were actually on great adventures.

5. Quiet Time. No matter how extroverted the creative is he still needs some quiet time alone. This helps him recharge his batteries and bounce back with more energy than before—filled with new innovative ideas.

Every time I came home from Walt Disney World (WDW) my family could tell where my business trip had taken me. WDW is one place on earth that refills my creativity and I come home with hundreds of great ideas. It’s a place that amps up my creative juices and allows me to freely flow through and past ideas that no one has ever shared before.

This coupled with a need to have a quiet Saturday morning for recharging from the day to day, gives me a new lease on life with a fresh new perspective. The idea of being bathed in creative freedom is inspirational to my soul. And, this creativity blooms all the more on a movie set. Oh, I can’t tell you why, but I can tell you it is positively true.

(Click Here to Read Part 2)

© 2017 by CJ Powers

Great Directors use Adjectives and Verbs

AdjectivesI was asked today what the difference in skill or techniques were between a good director and a great one. There is a lot of commonality in how both directors get started in filmmaking, but once they’ve gained experience the great director works specifically on developing his adjectives and verbs.

The adjectives are the tools the director uses to convey key information to his cinematographer and production designer. He also uses it to communicate with publicity, studios and producers. The words make the difference between a good pitch and a great one—a higher budget versus a smaller one.

Adjectives give color to a conversation and ignite emotions. Since film is an emotional medium, adjectives play a major roll in determining what films get made. Films explained without adjectives fall flat and fail to give the audience an emotional ride that films are known to do.

Verbs are the tools needed to adjust the efforts of the actors. Saying, “give me a little bit more,” tells the actor nothing and frustrates her. But, changing up the verb within the direction gives the actor something to play.

For instance, let’s say the director told the actor to “urge” the other character to take a sip from the glass and it didn’t play well. The director would explore a more intense version of the same action. He might tell the actor to “exhort,” “push” or “force” the character to take a sip. Each word brings another level of intensity to the scene.

The opposite is also true. When the director wants the actor to back off of the intensity of the scene, he merely gives direction with gentler verb choices. By choosing various levels of verbs, the actor is able to picture the exact action their character might undertake.

The best news is that verbs are actions that can be played without the actor having to translate what “more” or “less” might equate to. By giving an actor a specific verb to play she can immediately determine what actions her character might take in accomplishing the verb. This frees the actor up from the acting process and allows her to stay in character while playing through a few creative choices.

More and more directors have become writers in recent years because they’ve learned a lot about words in promoting their films and directing their actors. They understand the emotional tone of the film and had to learn the words required to describe it to others. They also know what it takes for an actor to play a roll; so learning numerous levels of verbs became second nature to them.

Once you’ve learned how to use adjectives and verbs, the distance from being a director to becoming a writer/director is very short. The same is true for a good director becoming a great director.

© 2017 by CJ Powers

A Story of Humility

HumilityThere once was a humble man. He rightly assessed himself with truth and wisdom. He accepted himself, faults and all, and shared with others freely. His confidence was in his author. He was content in who his maker had made him to be.

When his life excelled, his survival was due to his creator. When his life went belly up in the darkness of despair, his maker held him from demise. He could survive all that he faced. He could do all things through his maker who strengthened him.

There once was a manipulative religious leader. She knew the humble man was set apart for glorious things. She judged him unfit, for his self-awareness suggested a lack of humility. Her network labored to take him down a few notches. They stripped him of money, home and relationships. They blocked him from any and all forms of success. They even found his Achilles heel and dropped him into a repetitive menagerie of daily pain. And finally, they teased him with lovers just out of his reach.

He survived. He cried. He humbly acknowledged his new place in life. He knew that he’d no longer shine as he was made to do, but instead testify to the actions of those that were made to support his creations. He endured for a dozen years, fighting to keep bitterness from tearing up his soul. He finally let go and accepted his new lot in life and waited for judgment day.

The manipulator was proud of her ability to play god in the man’s life. She saw him breaking and would soon announce his new humble status. But something was wrong and she’d have to delay her announcement.

The man stood firm in the face of agony and disgrace. He rightly divided the word of truth and still accepted himself in spite of circumstances. He again acknowledged that his creator made him for a glorious cause, as had been done for the man with a coat of many colors. And, his confidence remained not in himself, but continued to reside within his savior who strengthened him.

The manipulator was angry that the man’s humility did not look like her own. She was convinced it was “fake,” yet it survived the worst of emotional, physical and spiritual attacks. Could she be the barer of fake humility? She trembled at the thought. Her attempt to play god would soon be revealed—her status sinking beneath that of junk bonds.

The humble man simply lived his new life without the glorious gift his savior intended for him to share. No one missed the loving gift, for they never knew it was on its way. The future soon became bleak with no relief in sight because the humble man’s humility didn’t look like hers.

© 2017 by CJ Powers