Minorities Cry for Hollywood Boycott at Academy Awards®

Academy AwardsHollywood PR firms trying to promote the Academy Awards gained little traction with news stories. The goal was to create controversy about the “lack” of minorities in movies to get the publics’ attention and viewership for The Oscars®. Additional promotions suggested that host Chris Rock would stick it to the system during the show’s opening. However, few people jumped on the bandwagon when it comes to social media.

The lack of attention might be due to the fact that Hollywood employs a lot of minorities. The employment happens to be within 10% of the actual population demographics. The only outlier in the attempted controversy was from the LGBT community that demanded that 20% of people hired should be LGBT, while about 2% of the population is actually LGBT.

This push by LGBT was most likely made as an attempt to take advantage of surveys that show the majority of Americans think LGBT makes up 22% of the population due to its power over the media. However, liberal universities have conducted surveys that show the number to be as high as 3.8%, while conservative universities have survey results at 0.6%. The latest governmental released data has LGBT at 1.8% of the population.

The numbers aren’t the only factor. The actors all agree that they vote based on performance not skin color. Many of the minorities who have already won Oscars® say that theirs was earned from their peers and it wasn’t a political gift. Other actors confirm that sentiment and are concerned that changing the landscape to increase the number of minorities being nominated will shift the award from representing the best to balancing races by awarding lessor performances.

Will Smith was one actor who didn’t win an Oscar®, but he wasn’t able to complain because he lost to Denzel Washington. Smith is enjoyed by many fans, but most would say that no matter how much they appreciate his work, Washington truly delivers award-winning performances in the majority of his films.

Unfortunately, the President of the Academy of Motion Pictures Arts and Sciences, a black woman, saw fit to use the controversy to change the rules. Within a week of the story hitting, the Academy with over 6,000 members stopped all of the older experts in the craft from voting. These are people that made the craft what it is today and they are no longer “qualified” to say which performances were the best.

At the same time, the Academy invited hundreds of minorities with little film experience to join. This move watered down the number of voters who understand what makes for great performances and increased the number of ignorant newbies with voting privileges. One person estimated that there is now about a 30% greater chance that bad performers will be nominated next year.

In the past, people were invited into the academy once they had mastered their craft to the point of notoriety. Now, individuals who haven’t yet mastered their craft are members because of their skin color. The voting landscape is now about politics, popularity and leverage. I’d prefer to learn who the masters think have earned the right to be called the best.

© 2016 by CJ Powers

The Scrappy Storyteller

IMG_0172bI’ve met hundreds of storytellers in my life and found that few understand how to conform their abilities to a marketable style. I’m not talking about a niche genre, but an actual style that incorporates the core essence of who a person is that includes their creative methods and delivery.

The Scrappy Storyteller is a great example. Lisa is a storyteller, artist, and Steampunker. Everything she does demonstrates those core elements regularly. In fact, her love for using her hands to patch things together seems to be integral to her projects.

Yesterday I received a presale copy of her new comic book. It’s a mystery that features Alethia Grey from Milwaukee during the late 1890s. This sci-fi steampunk novella is fun and a quick read. But Lisa’s entertainment value goes beyond the story. The graphic novel is published on high quality paper with a durable glossy cover in keeping with the era’s desire for things to last.

To support her super fans, she offered special gifts for all who purchased the book during her presale period. Appropriate for her style, Lisa patched the items together by hand. The pieces were clearly in true steampunk fashion and reflected a creative heart and loving spirit that was befitting of the artist’s core essence.

IMG_0171bMy gifts came in a handmade bag. A personal handwritten thank you card was included. The cover of the card proudly displayed her DIY artwork. Inside the bag was the comic book, a decorative pin, art made on a stretched canvas, and a small card reminding me of her other product. Her slogan read: handmade tales told a piece at a time.

For anyone who has followed Lisa or gotten to know her in person, it’s clear that she lives story. But, not from a glitzy Hollywood type mentality. Instead she takes personal care in creating homespun stories that she pieces together as she shares it.

Aurelia was one such project. She was the creator and showrunner for an elaborate live production where fans played characters in her Internet story. Lisa was able to carefully craft her story to include all the elements fans added. The nationwide team created entries that were written, recorded as audio only and produced on video.

Lisa has a rare talent that allows her first impressions to ring true in the souls of her fans. She is gifted with words, has a great eye for style, and the ability to turn discarded items into art. But what makes her really unique is that everything she does easily fits the expressions pouring from her heart. I call that unique combination integrity of art.

Artists no longer need to find themselves or their style. Instead, they need to look inward and learn who they are. Once they understand their core self, they can filter all their art through the style that rises from within. Lisa has accomplished this very thing and helps others to follow in creating continuity within their businesses and super hobbies.

Lisa can be found through her steampunk blog at ScrappyStoryteller.com or for those wanting to create integrity within their art can find her business at LisaEngland.com.

© 2016 by CJ Powers

Where’s the Audience?

Video_FormatsThe number of people watching broadcast television dropped dramatically over the past five years. Now cable television saw its first massive drop off of viewers in 2015. The pattern is rapidly changing the landscape of how people watch programs. The same movement killed DVD sales 5 years ago and has now taken a bite out of Blu-Ray sales in 2015.

So, where did the audience go?

To Internet based programming.

Smart TVs have allowed easy access to programming on the Internet. Providers that stream programming like NETFLIX for the general market and PUREFLIX for the faith-based market have taken the public by storm (although the faith-based market is much slower to transition). Netflix even out bid the largest film studios with a record-breaking film purchase at Sundance.

Quality and accessibility have played a major factor in this movement to the Internet. Cloud video libraries have also popped up and have seen great success with HD, HDX and UHD size/quality standards. Libraries include VUDU (Walmart), Amazon Prime (Amazon), iTunes (Apple), CinemaNow (Best Buy) and Disney Anywhere (Disney). The success is attributed to an individual being able to purchase movies and store them in their virtual library to watch on any device at anytime from anywhere.

Additional benefits to better distinguish choices between libraries are offered by several companies. For instance, VUDU allows a person to add DVDs and Blu-Rays already owned to their library. Disney ties in with VUDU and iTunes so you can watch a Disney film on VUDU, iTunes or Disney Anywhere. For those still purchasing physical discs (DVD or Blu-Ray) Ultra Violet allows the title to be immediately added to any or all of the individual’s libraries.

VUDU is currently the clear leader in cloud libraries and boasts the most titles made available. When a person buys a DVD or Blu-Ray at Walmart, within 1-3 seconds the title is automatically loaded into the person’s cloud library, so the kids can start watching before mom gets home from the store. VUDU also adds videos purchased from other sources to a person’s library.

The Internet drove the development of HD (22mbps worth of quality), which pulled audiences away from broadcast TV (7mbps of quality). Once subscription programming became popular, a variable of HD known as HDX (27mbps of quality) was ignited and cable providers had to negotiate with content providers before audiences left. This battle for survival created the new UHD (250mbps of quality), which was sized to fit the standard cable channel capacity (256mbps of quality). However, people don’t like to be tethered and are walking away from cable TV as well.

Production companies have to stay on top of the distribution systems in order to maintain the appropriate level of quality. Shooting 4K is a must due to 80% of all distribution outlets now require that level of quality. While some still get away with 2K (and even fewer with HD), the writing is on the wall for films requiring special effects. Talking head shows can still get away with HD for a couple more years, but the transition is eminent.

The good news is that consumer and prosumer cameras, thanks to the cell phone, are already shooting 4K. This makes the right level of quality available to all independent filmmakers. However, an excellent director of photography that knows his lighting and lenses can still create a higher quality look with HD than an amateur can with 4K. Unfortunately there are a lot of independents that won’t switch to 4K this year and they’ll release substandard shows that muck up the marketplace.

The consumer has spoken by their actions. Broadcast television is dying out with the Baby Boomers. Cable is fading away with Gen X. And, digital libraries and live streaming events are here to stay through the life expectancy of the Millennials and Generation Z.

Within one and a half generations the entire landscape of film and television changed. Film rarely uses film stock, as its been replaced by digital media. Television rarely uses the airwaves, as its been replaced by the Internet. Yet, we still call it film and television. The audience has moved and ripe for the film entrepreneur to capture. That is, as long as he is willing to release in a format other than the one he dreamt about when he was a kid.

© 2016 by CJ Powers