The Rubber Band Man

Peter stretched his chewing gum and bit off a piece. He secured it to the corner of the sagging music poster and pushed it back onto his dark blue bedroom wall. The teen looked up to make sure the album covers were secure on the ceiling. A soft knock at the door signaled the hazel-eyed geek that it was time to impress. He swung the door open to see Lisa, a music-crazed cheerleader type that was way out of his league.

“Is that it,” Lisa asked as she pointed at the guitar hanging behind Peter’s back.

“Yeah, it is.” Peter swung the guitar around keeping the strap over his shoulder. He noticed a smudge and quickly polished the body of the electric guitar with his sleeve.

“Well, are you gonna play it for me?” asked Lisa.

“Sure, yeah.” Peter walked over to his mini amp, plugged the cord into the input jack and grabbed his pick. He nodded toward his ceiling display. “They’ve inspired this song.”

Lisa glanced up, but wasn’t impressed.

Peter started with a simple riff and then looked into Lisa’s eyes as he sang. “It is you … the reason why I live … it is me … that stays our happi…”

“Your too low,” Lisa interrupted. “You’ve got to take it up a full step.”

Peter stopped playing. He didn’t know what to do. He could only play the song in one key.

“If you can’t translate the chords, use a capo,” Lisa said.

“I don’t have one.”

“I thought you were a musician.” Lisa turned and left the room.

Peter’s heart sank. He glanced around the room and spotted his desk. He yanked the draw open and pulled out a pile of rubber bands. Stretching the bundle over the guitar neck, the bands snapped into position above the second fret. He swung his pick across the strings sounding the music two half steps higher.

Elated, Peter ran after Lisa, but the chord pulled taut. His shoulder felt the burn of the strap stopping his movement. He unplugged the guitar and took it off. Peter pulled the stack of rubber bands from the neck and stuffed them in his pocket.

The colorful leaves crunched beneath Peter’s running shoes as he entered the park. He saw Lisa walk into the underpass where the bicycle paths merged. Closing in, Peter heard violin music echoing from the tunnel. He picked up his pace, hoping Lisa stayed to listen to the soulful music.

Lindsey_StirlingPeter stopped to catch his breath at the entrance. After composing himself, he entered the tunnel. His eyes adjusted to the darkness and he was surprised to see a homeless woman playing the fiddle with the skills of a master. The woman started to dance while playing. A couple of children from the small crowd dropped money into her worn cigar box lying on the gravel floor in front of her.

Scanning the crowd, Peter spotted Lisa leaving out the other end of the tunnel. He sprinted after her, but collided with the twirling musician. The fiddle crashed into the cement wall, sending pieces flying to the ground in all directions. Silence fell on the crowd as they watched Peter pick himself up and offer his hand to the musician.

“I’m sorry,” Peter said. “I was chasing after … my dreams.”

The woman watched the crowd dissipate. She bent over and picked up the cigar box that held a couple dollars and a few coins. “Looks like no lunch today.”

“I’ll buy you lunch,” Peter said with enthusiasm. He reached into his pocket and pulled out a bundle of rubber bands. His face cringed with sorrow. “I’m sorry, I only have…”

“Listen kid, it was an honest mistake,” said the musician. “Was that cute brunette the dream you were chasing?”

Peter nodded with humility.

“You certainly have no trouble going after the gold.”

“I keep on messing up,” Peter whispered.

“Join the club,” said the musician. “I trusted a manager that was worthless.”

“Everything has value,” said Peter. “But not always the value we seek.”

Peter looked down at his rubber bands, and then glanced at the scattered pieces of the violin. Grabbing the neck and the cigar box, Peter used the rubber bands to form an instrument. After cutting a hole in the box and attaching the strings, Peter handed the homemade fiddle to the musician.

“Nice work!” the musician said. She raised the fiddle to her shoulder and drew her bow across the strings. The rich tones resounded through the tunnel. People gathered as she quickly tuned the instrument.

The crowd smiled and swayed with the newly manufactured sound. The musician had no fear and played more passionately than before. Peter took several remaining pieces of the broken violin and strapped it together with a couple rubber bands. He set it in the place where the musician’s cigar box once collected tips. People immediately dropped various denominations of paper money into the collection box.

Peter noticed Lisa returned to listen. She saw the unique instrument and pointed at Peter with a face contemplating a question. Peter sheepishly pointed to himself and nodded that the instrument was his handiwork. Lisa smiled and moved his direction. Applause erupted after the final draw of the bow, slowing Lisa’s approach.

A man stepped toward the musician with his hand holding a business card. “I’m Steven Kilpatrick from Maverick Records. Word of mouth put me on your scent and you didn’t disappoint. In fact, your creative approach to music is worth millions. I’ll give you a six figure advance to sign you to our label.”

“You’ll have to take it up with my manager,” the musician said, as she glanced at Peter.

“Well son, what’d ya say?” asked the businessman.

Peter looked to the musician who winked her approval. Lisa took his arm and wrapped it around her. With a sense of pride, Peter faced the businessman. “It’s a deal.”

Everyone in the tunnel cheered. Lisa kissed Peter’s cheek. “You might not be a great musician,” said Lisa. “But, you sure can see the value in the simple things, Mr. Rubber Band Man.”

© 2016 by CJ Powers

 

Embarrassment or Creativity

© IvicaNS - Fotolia.comCreativity is the one thing that brings everyone happiness. It founded our world and it created what many call the “happiest place on earth”—Walt Disney World. Unlike joy, which is eternal, happiness is fleeting at best. It comes and goes in the moment and can seldom be reenacted with the same level of enthusiasm that it originates.

For the creative soul, or the creator, the release of art is more precarious than most would think. Stepping out fully vulnerable with a creative performance, concept, or product can cause the recipient of a mediocre response to feel embarrassed. The newfound boldness of the audience can bring great praise or a debilitating embarrassment capable of shutting down a vulnerable heart.

Creatives need to protect their heart, yet remain open for their creativity to be successful. While that notion sounds like an oxymoron, creatives will always find someone to hate their work. They will also find someone who admires it. This makes the protection of the heart difficult.

The only way for a creative to protect his heart is to learn from the experts. While this is true in all fields, the entertainment industry seldom employs experts to help a creative get to the next level. All too often the creative person is seen as an end unto themselves and not as one key factor among others who collaborate in a successful product launch.

I was fortunate to have a professional actor as a next door neighbor when I was growing up. We produced numerous plays in his garage for families living on the block. While it seemed to be a hobby for the girls, every guy that participated in the plays went professional later in life.

My good fortune continued in high school when I had great phone conversations about directing with Ken Burns and Ron Howard. I also had a theatre coach that developed shows during the summer at Disney in Orlando. He took me under his wings and taught me a lot about the collaborative process. I was thrilled to be mentored by a pro.

Those who submit themselves to a mentoring process find their skills excel beyond the average creative. The most important reason is the additional confidence created from the relationship. However, for those who can’t seek out a mentor, there are four steps that can be taken to instill a similar affect of growth and confidence building.

STEP 1: Find the current expert in the field that can supply a solution to the creative problem. If we are confident that a particular person has what it takes to solve the dilemma, by researching that person and the steps they took to arrive as a master, it’s possible to shift our perspective in parallel to brainstorm solutions.

STEP 2: Mimic the master. Learning from a master includes the understanding of his perspective, style and panache. By trying these behaviors on, our mindset will change and give us ample opportunity to see things from a new perspective and energize our creativity.

STEP 3: Follow the expert’s methodology. All professional creatives have a process they follow for the sake of speed and profitability. The standards were proven and later developed into a process over time. By reenacting the process or using a version of it, the creative can open his mind to new opportunities and solutions.

STEP 4: Seek the risky solution. Creativity is at its best when we’re on the edge of what we’re comfortable producing. During the times we stretch ourselves to be competitive with the expert, we force ourselves to a higher level of performance. These moments that balance on the proverbial fence between creativity and embarrassment drive success to an all time new high.

The key to learning from others is realizing the difference between a great idea and one that was polished by a pro. Those who must hold fast to their ideas and won’t consider other perspectives are doomed to a short creative lifestyle. But those who consider various pieces offered by other professional creatives can polish off the bulk of their idea with experience, which will be evident in the final product.

No creative wants another to change his idea, but the good ones will allow the pro to improve his idea. Sometimes a simple sentence from a mentor can change the entire tone of a product to something more suitable for a different generation. The comraderie alone is of great value, but the output of the relationship will be impressive—Giving rise to confidence, not embarrassment.

Copyright © 2016 by CJ Powers

 

Drive-by Creative Games

Ole Lady MobileI recently learned a new game from an administrator at Disney. When she has a long hard day, she likes to do something out of the ordinary. She likes to stretch her creative juices and explore story from a new standpoint on the fly. Playing a simple game with those riding in her carpool exercises her creativity.

The rules are simple. The goal is to create a story one phrase at a time. She goes clockwise and each person shares a phrase of the story. The key is that the story must include everything the person has recently observed.

For instance, let’s say Person One notices birds fly out from a tree, railroad gates go down, and a loud horn honk. Person One might say, “Birds flew from the trees as the railroad gates blocked traffic and a sinister horn echoed down the rusty tracks.”

Person Two must continue the story where One left off and it must reflect what he observed. Let’s say it was a train, school kids, and an irate driver stuck at the railroad gate. Person Two might say, “The loco train, known for attacking at a moments notice, chugged past the gates and angered a man who was blocked from seeing his daughter leave school.”

Sometimes people only observe a single item that stands out unique from the day’s normal activities. Person Three might say, “The swirl of dust in the alley behind the bakery swooshed up into a super hero ready to protect the student.”

By the time the train passes, Person Four might have captured her observations. She says, “Fearing a great loss from the micro burst, the loco train chugged out of sight, leaving the girl unharmed.”

The story continues for several more rounds until all enjoy a great story. Even the first four phrases suggest a story that can entertain, while developing the skills of a creative person. Here is the compilation of the first four phrases in story form:

Birds flew from the trees as the railroad gates blocked traffic and a sinister horn echoed down the rusty tracks. The loco train, known for attacking at a moments notice, chugged past the gates and angered a man who was blocked from seeing his daughter leave school. The swirl of dust in the alley behind the bakery swooshed up into a super hero ready to protect the student. Fearing a great loss from the micro burst, the loco train chugged out of sight, leaving the girl unharmed.

The beauty of a creative story game is that there are no wrong answers or phrases. Each person can impact the direction of the story and its implications. Conflict is naturally increased within the story based on the process that forms the content. And, everyone can enjoy numerous laughs as the story weaves in and out of its form.

© 2016 by CJ Powers