Speaking Her Language and His

I just read a staggering statistic about 72% of men being disconnected from their emotions and not knowing how to stay engaged in that portion of a relationship. At first glance, many would agree with that statistic, but I find the conclusion a little too convenient to draw.

Everyone knows that women are more emotional and if you use their scale, it does look bleak for most men. However, a man scale, not a female scale, should be used to measure men.

As a co-leader in my church’s Encouragement Groups, I’ve had many in-depth conversations with numerous men and women. In the beginning of my leadership experience, I would have told you that women are in touch with their feelings and the men aren’t even sure what their feelings are, let alone how to be in touch with it.

But, after several years of listening and after having learned how to create a safe environment for vulnerable discussions, I can clearly state that the men do a much deeper dive on emotional topics than women. The key to a man sharing his deep feelings is all about the right visual environment and positive affirmation of his shared feelings – The opposite of what many men receive at home.

In my talk, “Drawing Out Your Man’s Verbal Intimacy”, I address the importance of a visual conversation and how to use word pictures to express feelings that men quickly understand and empathetically respond to with little effort. This process was commonly used over the centuries with parables and other forms of visualized stories.

It’s no surprise that men respond well to visual communication, including body language. Nor is it a surprise that women respond well to literary communication devices. We’ve understood the differences in our gender wiring for centuries. What we seem to have lost track of is that men and women express their feelings in those same languages.

A beautifully written love letter (literary communication device) from her man would thrill any woman. The visible energy of a woman who is dressed for fun (visual communication device) would energize any man past the hardships of the day. The same literary and visual communication needs hold true for the sharing of emotions.

How a setting is decorated can influence the amount of sharing a man engages in. It plays a huge role in his senses, and his ability to be comfortable and open. Yet, most counselors use feminine decorations in hopes of relaxing people, rather than making them feel like they belong.

A woman once asked me how she could get her husband to listen attentively to her, instead of trying to fix her, when she poured out her feelings. I told her to find a place in the home that had a specific visual look to it and only share her strong feelings while in that setting. I also suggested she remind him the first few times that when they are seated in that space, it’s her time to share her feelings and she needs him to listen and not attempt to fix her problems.

The visual setting would immediately remind him of the specific behavior of listening without interruption that was required. Over time he would pick up on other visual cues like her facial expressions, which would allow them to have feeling conversations elsewhere without old habits returning.

I also suggested that if she really wanted him to understand how she felt, that she would need to consider word pictures. During her first feelings conversation she suggested that the work issues she was discussing made her feel like she had been hit by an 18-wheeler and tossed into a nearby gully. Her husband’s eyes watered with a great swell of empathy, because he could visualize the catastrophe she was feeling. The woman was amazed to learn her husband was a caring man with deep empathy.

She was also eager to heed my warning to not turn that visual space into a lecture setting. She admitted that many times she would lecture him about her feelings because she didn’t think he understood, but since she started speaking more visually, she’s never had to resort to such poor choices that close men’s hearts from being engaged.

A man came up to me not too long ago and asked what he should do for his anniversary. He told me that his wife was not into too many things, so an iPhone, or Blu-ray player was out of the question. I suggested he just sit down for an hour and write a note about how he feels about her.

He asked me to write it for him and I refused. I suggested that if he wrote from the heart, she would be emotionally stirred, regardless of his writing ability. A few weeks after their anniversary, I bumped into the couple and asked what was going on in their lives. Before the man could say a word, she bragged on how fortunate she was to have a lover who wrote deep heartfelt letters.

The man was visibly embarrassed and his wife was glowing for three weeks straight. While I have no idea what he wrote, his positive attempts at speaking her language was evident. She was able to understand his love in a way he had never communicated before. Their anniversary and conversations in the following months were amazing and went deeper than they thought possible, all because they focused on communicating in the other person’s primary language.

Copyright © 2011 By CJ Powers
Photo © Adrian Costea – Fotolia.com

Johnny’s Thanksgiving

With Thanksgiving around the corner, I thought I’d share the first story I ever wrote with you…

The snow was lightly falling outside of the big picture window where little Johnny was leaning against the back of the couch. His eyes were sparkling at the sight of a small fawn crossing his grandfather’s snow covered lawn in the north woods of Wisconsin.

The smell of turkey snuck up behind Johnny as his grandmother kissed him on the back of his head on her way to the dinning room table with the platter. Johnny spun around catching a glimpse of the golden brown turkey, as it was set onto the table in between the sweet potato and dressing.

Johnny kicked his feetsy pajama covered feet out and dropped with his seat landing squarely on the couch. He slipped off the edge and took his place at the dinning room table next to grandma.

In place of a traditional prayer, grandpa suggested each person take a few moments and thank God for the simple things for which they were thankful. Grandpa thanked God for his job, new car and having the family over for Thanksgiving. Grandma thanked the Lord for His provisions and the family. Johnny’s mom thanked God for his new little sister who was partially covered by a small blanket as she was already enjoying her dinner.

It was Johnny’s turn and he leaned back in his chair and took pause. The others were curious and wondered what was going on in his little mind. He thought and he thought, bringing smiles of anticipation to each one setting at the table.

“I wonder what Daddy is thankful for,” questioned Johnny.

A warm smile came over everyone in the old Chicago gym where Johnny’s dad was dishing up turkey for the homeless. A tear of joy rolled down the cheek of a mother holding a small child on her hip. A man with long stringy hair and a stubble face smiled as he received the turkey leg. An old woman reached out her shriveled hand and patted Johnny’s dad on the shoulder, “Thank you for giving up what you are thankful for, so we might be thankful as well.”

Johnny smiled and said, “I’m thankful for my dad and I’m going to grow up and be just like him.”

And so, that Thanksgiving day everyone found something to be thankful for and shared with each other generously from the depths of their hearts.

Copyright © 2005, 2011 by CJ Powers
All Rights Reserved.
Illustration © Kelly Hironaka – Fotolia.com

Developing Paradoxical Characters

Making a character interesting drives the audience’s desire to follow his or her goals and outcomes. The audience wants to get behind a character and cheer them on, but they must first be drawn to them in a unique way that inspires exploration of the character. This is best accomplished by using a paradox within the character’s life or personality.

M.A.S.H. was known for it’s paradoxical characters. Alan Alda’s character of Hawkeye was diametrically opposed to war and wanted no part of it, yet every time he desired to go AWOL, the loudspeaker would announce the in coming wounded and stop him in his tracks. Hawkeye was drawn to the operating room because saving lives was more important than his hatred of war.

These two opposing drivers made his character enjoyable to watch and raised numerous questions in the minds of the audience. They needed to understand what made him tick. During its eleven seasons, people came to love Hawkeye even though they never knew what to expect next, yet his consistency was amazing.

The best way to develop an interesting character is by starting with his flaw. This flaw will have a visible action associated with it to play well on screen. To add strength to the character, it’s important to never explain the flaw, but just demonstrate it. The actions should be divided up into three distinct visuals.

What the flaw causes him to do in:
1. Public
2. A small group of friends
3. Private

Once in place, the dialog can be used to create further conflict or raise additional questions with the audience. The visuals will help connect the various demonstrated flaw elements to the character in a way that the audience can understand. This makes change or growth in the character at a later point in the story much easier, as all you have to do is change the visual – Cluing in the audience that he has changed his ways.

The best way to express the paradox throughout the show is to take the flaw and determine what it might look like as a blessing. For instance, the person who can be stubborn can also persevere. Perseverance can look very similar to stubbornness, but with a positive spin. Hawkeye hated war because too many people died, yet being a surgeon kept him from leaving the war because if he left, too many people would die.

The paradox within his character was based on the same flaw, which was developed throughout his life. It was his Achilles’ heel or the basis of his human condition – The part of him we all fell in love with.

Creating a person who is good and gets better by the end of the film does nothing for the audience. It’s only when we see and understand their humanity and flaws that we can relate and then cheer them on to grow into a mature and rich life. We love rags to riches stories, not rich to filthy rich stories. In this case, I’m speaking of the richness of their character development, but financially speaking we would find the same to hold true.

So, try writing a flawed character that you can turn into an overcomer. Create that person who can turn their flaw into a positive. Turn that stubborn person into the one who perseveres long enough for help to arrive during the scenes of the downed airplane.

Or, maybe you want that shy person to be the only one that listens well enough to figure out the answer that spares a man’s life in the eleventh hour. Or, the scrawny kid that constantly gets ridiculed until the day they are locked in a closet of a burning house and the kid is the only one to make it through the vent to get help and unlock the door to free the others seconds before affixation.

Finding a paradox gives the audience plenty of entertainment and gives the writer lots of creative thoughts worth pursuing. It is a great form of character development that every writer needs to embrace. It’s also a character that can provide substantial irony for the audiences entertainment.

Copyright © 2011 By CJ Powers