A Day at the Art Festival

The Glen Ellyn Festival of the Arts was at Lake Ellyn this past weekend. There were several dozen booths filled with painted canvases, mounted photographs, custom jewelry, handcrafted pottery, and many other forms of artistic expression. The least expensive item was on sale for $7.00 and the most was $65,000.

Jeremy Ashcraft.jpgGlen Ellyn is a small town that has a strong understanding of the arts. The village has several galleries and an indie art theater. Some would argue that my hometown has more happening in the arts than most culturally elite cities.

I had a lot of fun walking through the booths. It didn’t take long to figure out which booths held artists of the highest caliber compared to people who threw something together and called it art. A simple conversation with each “artist” revealed the truth about his or her status.

Mark Schroll.jpgMark Schroll and I enjoyed a wonderful talk about his selections and techniques. He was a down to earth artist that focused on the details he found fascinating, intermixed with a passion for generalizing Americana in a way that left the person feeling great about life. He seemed to appreciate my interaction, as I dove into the heart behind his work.

Jennifer Collander.jpgJennifer Collander’s art caught my attention. There was something about her whimsical style coupled by the pains in life that brought a new perspective to the ordinary. The painting I’ve pictured captured my attention for the longest of time, as I tried to understand the warm swirling feelings it generated for me. It made no sense, except that it made me want to be more expressive in life, which is why I’ve written this post.

Kelly Griffin.jpgKelly Griffin and I hit it off well. Halfway through our conversation about how she captured her image, she realized that I understood art more than most who pass by. After briefly sharing my background, she talked about her background in television. It didn’t take long to realize that we could artistically collaborate. She also had what it takes to be a great producer.

Laura Gardner.jpgLaura Gardner was well traveled and captured numerous international sites on canvas, while backpacking. To keep things compact, she taped her canvas to small cardboard palettes for travel and then stretched the canvases after returning home. Her work was beautiful and depicted the true feel of the locations unlike those artists who only paint distant locations based on photographs.

April Dippy.jpgArtistic works included hand carved cutting boards, furniture designed for children, pottery and jewelry of every type, and numerous photographers distinguishing their styles through color, mounting and subject matter.

Table.jpgGetting to know each of the artists personally made a big impact in my day. I love engaging with real artists that are not only in touch with their feelings, but have mastered their art in a way that allows them freedom of expression.

Getting Past the White Blank Paper

A common question I get is, “How do you get past staring at that blank white sheet of paper when you create?”

My answer, “I doodle on it until it’s no longer intimidating.”

The key to any creative project is getting started. You can start at the beginning, the middle or the end, as all elements will have a part in the final creative piece. It might take on a different form or launch you into a better direction or story, but all elements are part of the journey that develops the idea into something worth sharing.

I remember being mesmerized as a little kid watching Mary Poppins. She was wholesome, magical and very smart. When Jane and Michael struggled to clean up their room, she reminded them that, “A job begun is half done.” This statement proved to be true in life and helped me understand the three things necessary to move a creative idea through to completion.

  1. Start Anywhere and in Anyway.

IMG_3363Creatives tend to start with a doodled idea on the nearby napkin. I’ve yet to meet a great film director who doesn’t have doodles in the margins of his notebook. It’s a natural process for creatives to doodle out ideas and turn them into something greater than intended.

For some, clipping magazines for a vision board will kick their ideas off in a powerful way. Others create living reels, storyboards and mood reels. Another might shoot off lots of photos, stick them on the wall and arrange them to find a potential story. There is no wrong answer to spark ideas that can cross over to your next big thing.

  1. Improve Upon the Idea

Once the creativity has been started, the refining process kicks into gear. All first ideas lack luster and rarely fit the final work of art. The journey of creation requires rework 80% of the time to bring the art to life. Three steps will help the creative hone their ideas…

  • What If: Asking what if questions force the mind to consider multiple angles and perspectives on the art. By interrogating the idea for all possible vantage points, a richness of greater value is added to the work.
  • Examine & Re-examine: Focusing in on the craft and bringing the idea to a master level allows the creative to determine the best possible way to share the story or idea. Instead of retelling the age-old story of Sleeping Beauty, Disney diverged from its standards and told the story of Maleficent. Critical and creative thinking can help this process explore new avenues of possibilities.
  • Inspire with Imagery: Finding quotes, verses or images that spark emotions related to your idea will inspire and move the process forward. The creative always welcomes the possibility of sparking something new that polishes an idea or brings it into a unique and fascinating light.
  1. Add Magic

The sparkle or the ah-ha moment lifts the idea above scrutiny. That simple element of magic also transforms the art into something entertaining that must be talked about among friends. Whether it’s a unique moment in a story, the juxtaposition of two seemingly unrelated items, or an uncanny perspective that enlightens, the magic gives the art wings to transcend the culture to something better than its current state.

Get started in anyway you choose and then recreate to make your work better and better, until you finally find the magic element that will make your idea worth sharing by others. It doesn’t matter if your audience is a business team, little children or out of town relatives, everyone needs to be entertained enough to open their minds to your shared idea.

Copyright © 2016 by CJ Powers

 

 

Collaboration and Mock-Ups

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Sample Mock-Up

The best products come from the collaboration process and use mock-ups to perfect the concept early in the development stage. Wedding planners use 2D mock-ups to determine seating arrangements. Book publishers use 3D mock-ups to photograph books before they are printed. Filmmakers tend to create mood reels to promote film concepts in need of funds.

Regardless of the project, creativity is key in the collaboration process, which drives some form of mock-up. The tool allows the team to visualize spatial relationships, size and details. It also improves communication and an understanding of how the product impacts the human condition – the customer.

Every businessperson can benefit from using mock-ups by following three key principles.

SPEED

Rapid prototyping has been alive for centuries. It’s ideal for finding the flaws in a product quickly. A mock-up of a book’s main photo or background with typography can be quickly discerned as being too small or the wrong color. The faster you learn what doesn’t work, the sooner the ideal look comes into play.

The playfulness of the mock-up process stimulates creativity that one-ups the previous concepts. Each step moves the creators a step closer to their final design and a clear understanding of the products use and feel. Rapid prototyping trims off months of development as it brings focus to flaws that are quickly corrected.

MASS

Transferring the conceptual into the physical realm gives creators an understanding of the complexities and vast details required to polish the details of their product before production. This not only saves large sums of money, but it also alerts the team to the depth of focus required to turn their imagination into reality.

Without understanding the massiveness of the project, creators are often blindsided by the large scope of their concept. Few professional filmmakers start shooting a script without first counting the cost of time and effort involved in shooting 1,400 – 1,800 shots that it takes to make their picture.

IMPACT

The human condition rarely makes its path known in the ever-changing structure of society. Focus groups are used to hone in on a plausible direction by observing potential customers interacting with a prototype. The perceptions brought to bear by various age groups and other demographic profiles help the team redefine their key market segment.

Since 80% of all books are bought based on its cover design and 15% from the book’s back cover copy, authors are able to obtain advanced customer responses with prototypes. Speakers can test the impact of their topics with one-sheets and sales people can explore presentations with previz.

All collaborators can make use of mock-ups and vision boards to get a sense of how the service or product will make a difference in their marketplace. By focusing on the speed, mass and impact an idea will generate, the team is able to find its flaws and make the necessary improvements so release day is a rewarding celebration.

Copyright © 2016 by CJ Powers