Promo Piece Actor Brings Laughs

There was an awkward moment at yesterday’s luncheon that rose from a serious woman’s comment about homosexuality. She innocently mentioned a man who might be able to help those in the audience better understand the circumstances faced with friends or relatives coming out of the closet, but her delivery was unknowingly unique.

She introduced him without any forethought as a man who “loves the brain, sex and Jesus.” Everyone cracked up and his wife turned 30 shades of pink.

The odd introduction coupled with a subject matter that is awkward for many, set the stage for numerous jokes throughout the afternoon. While some poor jokes surfaced out of nervousness, most jokes opened the door for people to  explore the subject for the first time. I was impressed by the willingness of people to learn about things outside of their comfort zone.

This was made possible in the moment of introduction, because Bill took things in stride and added some additional humor – Causing many to feel more comfortable about the subject matter. His comicality brought a sense of joy into the room and disarmed internalized tensions of many. His words were filled with grace and self-deprecation.

What made the moment funny for me was remembering back to the promo piece I shot last week. Bill was one of the actors who made everyone on set laugh with little effort.

The comedian’s skills far exceeded what you might expect from a conservative university professor that teaches classes on the brain. And amazingly, he returned from a three month sabbatical that utilized his theological degree and other credentials in writing a book on how sexuality of female Evangelicals affects their brain.

So, when the woman casually asked him what he did over the summer, it’s easy to understand how she summarized his passions the way she had.

I lost track of how many degrees Bill has, but I’ll never forget how funny his impromptu shtick was on set. He was in rare form last week and he had the entire cast and crew in stiches. Several people thought we should rewrite the promo to include more of Bill doing his hilarious adlib, but the script had already been approved.

After seeing Bill in his horse riding costume, I immediately thought of “My Professor’s Study,” a live action/animated children’s series I designed for ages 8-12. Once financed, I’ll have to consider Bill for the role of the goofy professor. I would also plan to shoot the script with enough time left over for Bill to spin his humor through impromptu play.

What is it about people with numerous degrees, like Bill Cosby, that creates some of the funniest impromptu bits?

Work the Plan and Plan Creative Exploration

The actors did a great job and we were ahead of schedule. It was time to move inside our location when the DP asked if his team could shoot a dolly running shot. The coverage wasn’t needed, but I always liked exploring other shots after we fulfill the preplanned list, so I gave him the approval and moved the rest of the cast and crew inside.

Since there wasn’t a lot of time to set up the dolly move, the assistant cameraman stepped inside the building and grabbed one of the wheel chairs that are available for visiting guests. The camera operator sat in the chair, held the camera at street level and then was pushed by a grip jogging behind him.

The shot of the actor’s feet running across the pavement was impressive and thanks to the stabilizing lens the shot was smooth. It also cut very well into the comedy and increased the visual pace to set up the next scene’s punchline. The idea worked so well that we decided to use a similar set up for the interior mall running scene.

I would never have thought of the selected shot or realized how well it set up the punchline if it weren’t for padding our shoot with time for creative thinking. Here are the steps I take when planning a shot list.

  1. Setting up a shot list based on key elements needed to move the story forward.
  2. Enhance the list with shots that stimulate an emotional response from the audience.
  3. Consider artistic shots that can set up or lead out a scene.
  4. Create a supporting list of unique shots that I’m interested in exploring.
  5. Estimate a number of shots for the DP to play with.

By budgeting time according to all five groupings of shots, I’m able to prepare the shoot for the greatest amount of flexibility. If the scene doesn’t go as planned or the actors struggle with their lines, we won’t get to all five lists, but I’ll know the story is covered.

This type of built in flexibility tends to find great shots that capture the audience’s attention, draws them deeper into the story and generates chatter during award season. In fact, I remember one creative opening shot that was brainstormed on set because we had paid for a crane and wanted to make sure we got the best possible use of it.

That forced perspective stimulated a long running crane shot that locked down into a visual effects shot, which brought in three awards. Prior to that shot, it had been impossible to use a crane shot as a visual effect lock down shot for a background plate, but our creative team brainstormed a solution that worked surprisingly well – And changed the way the industry shot background plates.

Exploration is always fun and exciting when the director is already confident his key shots have been covered. So planning time for those opportunities makes for a great film shoot.

Copyright © 2014 by CJ Powers

Intimacy at the Core of a Story

“Intimacy is the posture of one heart toward another. Intimacy chooses the path of self-disclosure above self-protection, vulnerability above guardedness, unhindered and expressed emotion rather than silenced feeling.”

This quote is from the book A Well-Worn Path: Thirty-One Daily Reflections for the Worshipping Heart by Dan Wilt. His words sparked my imagination and gives reason to why I make pictures – An intimate art form for those who are willing to bare their soul.

I’ve talked to a countless number of directors in my life and found that those who are truly into their craft speak from the depth of their hearts. They have something that ignites within their soul and surfaces when asked about what went into their film.

Last Sunday night I got together with other filmmakers at a friend’s house. Not only was the food great, but our conversation made the time fly by all too fast. Each person spoke from the depth of their heart and shared a vulnerability that gave us a desire to work on a project together. While project timing will determine if that desire is fulfilled, we plan to reconnect in the near future.

When each person shared about their most recent picture, we were bathed in an atmosphere of intimacy and respect. Our levels of experience didn’t matter, as the personal moments shared were endearing and educational. Everyone learned something of value from someone else.

There was no pretense in the room and each person added to the conversation. The only disappointment was how fast the five hours past.

And yes, we watched some footage. What filmmaker can get together with others and not share a few clips? I think it might be impossible, but I’m not sure.

The coolest part of the evening was listening to how each filmmaker poured their heart into their project in a way that it impacted the audience through story. To that end, the filmmaker had to make himself vulnerable, rather than guard his heart. He had to reveal his inner most beliefs instead of protecting his heart. And he had to reveal the emotional thread that runs through his veins in order to bring the story to life.

These same attributes are present in all stories shared around the water cooler at work and at an intimate dinner. Choosing to expose our hearts to others through story is one of the most powerful exchanges a person can make, as it reveals who we are and how we think. Intimacy is at the core of every story.

Copyright © 2014 by CJ Powers