Acting in a Short Film

Monday's ShootThe entertainment industry is unique in that artists in the field not only use their top craftsmanship to create incredible visual stories that touch the soul, but it also is a playground for artist’s to try new things. My latest cross over experience is acting.

Yes, I’ve acted before, so it doesn’t sound too out of the ordinary, but this time it’s a bit different. My normal and most recent experiences were improvisational to hone my directing skills by engulfing myself into the actor’s world. Every now and again I’d show up as an extra in a feature like The Dark Night, but I had never played a lead character.

Back in my twenties, I hosted a television variety show for the Wisconsin Television Network and I had a short stint as a news anchor at a local television station, but I had trouble keeping a straight face. I cracked up during one newscast so bad that the home audience watched me laugh for almost two minutes before I gained composure. Journalism just wasn’t my thing.

Last Monday night the cast and crew descended on a small grocery store where we shot several scenes of a short film with me playing the lead role. Tonight we’ll shoot the remaining scenes, have a wrap party and then the film will go into post. The cast and crew made the experience a lot of fun and they have all been very encouraging.

The story is tentatively titled, A Christmas Angel, and is about my character wondering if political correctness has taken over Christmas or if the Spirit of Christmas still exists. The theme of the short suggests that the Christmas Spirit will always exist regardless of commercialism or political correctness, as long as we take time to give of ourselves to others.

The story has a hint of It’s A Wonderful Life and a dash of Touched by an Angel in it. The story is designed for the general public and includes a really cute four-year-old girl. This little darling gave a great performance during every shot. Her eyes were alive at just the right times and her precious smile was perfectly timed, but thankfully she didn’t steal the show or overshadow my performance (Actually, I’m okay with cute kids standing out).

Our first night of shooting moved really well and we ended a half hour earlier than scheduled. The outdoor scenes were a little bit tougher, as we were shooting in single digit temperatures – Gotta love Chicago. And yes, the Bears won because the bitter cold is their friend.

The film will premiere in two weeks for a small group of two hundred people. Depending on their response to my performance, I may or may not allow it to be uploaded to YouTube the next day. That’s right, as part of my agreement, I have the right to decide if the story is released on the Internet of not.

To some extent, having that kind of control as an actor can be a good thing, but it also puts a lot of pressure on me to figure out how I can determine the quality of my performance. After all, we tend to see ourselves differently than how others see us. Some times its for the better, which keeps us moving forward in our dreams, and other times we become our worst enemy and hold ourselves back from sharing new discoveries and abilities.

Of course, I could put the short on this blog with password protection so only my readers could see it. Hmm, I’ll have to give that some thought. Leave me a comment below if you would want to see the short or would prefer being spared.

Copyright © 2013 by CJ Powers

Symbols of Christmas

I was Christmas shopping last week and overheard a family argue about a specific gift purchase. The mother had both of her kids select and try on gym shoes because their current pairs were worn out. The kids were thrilled to have new shoes, but their faces dropped when their mom took the new shoes from their hands. She said that they’d have to wait until they opened their gifts on Christmas morning before they could wear them.

That night I walked the decorated downtown streets where I live and thought about whether their mom did the right thing – Holding back the needed shoes until Christmas Day. I wondered if she had missed the Spirit of Christmas or had determined to do something symbolic with her gifts that would help instill the Spirit of Christmas into her kids for life.

It made me contemplate if I still understood the real meaning of Christmas or if the numerous symbols of the season had faded from my memory. For instance, most of the decorations I saw on my walk were green and red.

If I remember history, Egyptians would bring green palm branches into their houses during the winter festivals. In the Roman Empire, people would exchange evergreen branches during the winter as a sign of good luck.

These common practices took on a new twist when Europeans, during the Middle Ages, put on Paradise plays, which were typically performed on Christmas Eve. These plays included the reading of Bible stories for those who couldn’t read. The Paradise Tree used in the play was a pine tree with red apples hanging on it. The evergreen represented eternal life and the red apples represented the fall of man. The color red also symbolized the blood of Christ and man’s salvation, which is why St. Nick wore red.

The color white at Christmas represents purity and peace in western cultures. In fact, I don’t think there’s anything more peaceful than standing outside on a cold, moon lit night in a freshly fallen snow.

Blue is also a significant Christmas color because it’s associated with the Virgin Mary who gave birth to the baby Jesus. Some say that blue is symbolic of heaven on earth, but during medieval times blue dye was more expensive than gold and only worn by royal families and the rich. Therefore the culture of that day used it to signify Mary’s importance by dressing her in blue.

After shopping, I headed to my car and saw the mother giving the kids their shoes. She shared her concern that they’d be disappointed on Christmas morning because she couldn’t afford to purchase any additional gifts. It was her hope that her act of love through gift giving on Christmas morning would remind them of the greatest gift that God had given man.

While the kids assured their mom that they were mature enough to handle it, I realized that creating, remembering and maintaining symbols of the holiday would help me keep focused on sharing with others what I have freely received – Faith, hope and love.

Copyright © 2013 by CJ Powers

Visuals and Emotions Play Across Cultures

© gloszilla - Fotolia.comI had the privilege of collaborating with screenwriter Anna Aleta A. Nadela last night. She is one of the lead writers on a soap opera in the Philippines. Her successful career in network television took off about seven years ago and she is now expanding into feature films.

She and her producer contacted me to analyze and consult on their feature film’s story structure. Their goal was to develop the film for multiple cultures in the Asia Pacific region and in additional countries that have Filipinos who are working overseas to help their families.

The story is tentatively titled The True Hero and will be filmed in the Philippines and Hong Kong. Aleta’s writing was strong and she created highly dramatic and emotionally charged scenes that worked well, greatly simplifying my job.

Over the past five years, I’ve studied numerous story structures and how each impacts audiences in various cultures and countries. The beats and structural elements that are designed for a universal audience can be integrated across multiple cultures.

The key to a successful integration of the elements into any given story is based on a strong visual and emotional platform – Something that few screenwriters consider. The majority of writers focus on the plot points, character development and dialog. However, to crossover multiple cultures the visuals and emotional elements must take priority.

Thanks to Aleta’s talent and flexibility, we were able to get on the same page quickly. Her mastery of the craft and creativity allowed us to remold the original story using a structure that has made hundreds of millions overseas in the past five years.

Within a short time, Aleta reconfigured several of her key story elements into the new structure and was ready to start typing. In all of the years I’ve consulted, I’ve never seen anyone learn and apply a cross-cultural, universal story structure to his or her existing screenplay so quickly.

Based on our collaboration process, I’m expecting her drama to bring me to tears during my next read. She already hinted at a few true-life character modifications that she’d make to heighten the story. In fact, each of her characters was based on a composite of real people that she interviewed.

It was a thrill to work with Aleta and I’m looking forward to her next draft. I always count it a good day when I get to collaborate with an artist of Aleta’s caliber.

Copyright © 2013 by CJ Powers