Yes, I’m A Starving Artist

Cj's Corner StoreA friend recently asked, “How are you doing?” My response was straightforward and honest, “Fine.” He then asked how I was really doing. It was in that moment I realized that our perceptions on what “fine” meant were very different.

Most of the artists I know are “fine” if they are out and about doing their art. They might very well be starving or at least scrapping a little money together for a piece of chicken and a slice of orange, but they’re feeling fine.

My friend is also struggling to survive and suffers because he has no outlet for his pain. He feels the same devastation as a starving artist, but without any form of expression that would make things feel better. It’s hard to feel content unless you are being who you were wired to be.

The conversation continued. He could tell I was broke and asked what he could do to help. Knowing his financial situation, I found the moment awkward at best. I wasn’t about to suggest anything that would take a dime away from his children. After all, we artists chose our path in life and will reap the consequences of that choice – Devastation or a great victory that comes with the release of a new piece of art.

A woman wondered if we artists are too prideful to ask for handouts. While there are some in the field who are in it for acclaim, most of us are in it because art pulses through our veins. We don’t seek fame, but we do hope everyone sees our work and understands it. We want them to embrace the emotions that we share through the art and trust it to guide them to another level in life.

I’ve met numerous people in the film industry and I can tell you who is into the art and who is just there for the fame. It’s very obvious, as true artists are humbled by their own efforts. In fact, by the time we get something produced for the masses, we’ve already grown past that point and can be disappointed in that work – Even when others may be praising it.

Art doesn’t stop from churning within us and it demands we pay attention or we’ll be noticeably out of sorts. My angriest years were those times when I didn’t have an outlet to express the passion that stirred within me.

That’s not to say that the quality we produce doesn’t impact our decisions. I’ve set up an ecommerce store with two of my products from years ago. These products were never released because my abilities had so greatly improved by the time the products were made that I couldn’t bring myself to release it. However, I need to pay the bills and I’m therefore in a position where I have to release it.

So, because I’m broke and some of you might want to help me stay afloat, you can go to the new CJ’s Corner Webstore and make a purchase. There is a limited quantity of product available and the chances are it will never be made available again in the future – A real collectors item.

The Audio CD was designed to be a lead in product for a children’s film series that never got financed and the DVD is a film I shot for Francine Locke to give her an edge at winning an award. The CD has all original stories that I wrote and narrated and the DVD was shot by students and won Best Actress and Best Story at festivals.

I appreciate you taking the time to visit my store. I also have several books available at other sites:

No Longer A Victim
Bloom-Covered Thorns
Notes from a Napkin

Thanks in advance for helping one of your favorite starving artists survive.

Copyright © 2014 by CJ Powers

Noah Angers Muslims and Christians

Noah MovieParamount is hoping to capitalize on the type of controversy that drove The Passion of the Christ to a box office high by making sure word gets out about Muslims censoring the film in several Middle East countries. Censorship boards in Qatar, Bahrain and United Arab Emirates will not allow the film. Similar rejections have come from Egypt, Jordan and Kuwait.

According to the Hollywood Reporter, the leading Sunni Muslim institute Al-Azhar said any such movie is “contrary to faith.”

While Muslims have chosen to protect their families from seeing inaccurate content, the National Religious Broadcasters, an organization made up of Christian radio and television stations, merely asked Paramount to issue one of three statements within its advertising to clarify that Noah is not accurate:

“The film is inspired by the story of Noah.

While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide.

The biblical story of Noah can be found in the book of Genesis.”

Paramount, in hopes that the statements would increase controversy and box office revenue, immediately complied.

It doesn’t take too much web surfing to realize controversy is starting to rise thanks to the extra boost Christians are giving the film. Some Christians are suggesting followers avoid it and remind readers that it will cause people to misinterpret and misquote scripture.

One blogger pointed out a few scripturally incorrect moments in Cecil B. DeMille’s The Ten Commandments and how Christians still today quote the film version over the Bible as truth. Others wrote a list of reasons why Christians needed to watch the inaccurate version of Noah for evangelistic reasons.

The winner of the various posts bantering about the film is Paramount who is expecting Noah to rise above the $300MM mark. Some have estimated that the Biblically inaccurate account would crash and burn within two weeks if it weren’t for Christians increasing the films attention and supporting it with their dollars.

As for the war against the accuracy of scripture, the Muslims are leading the charge and have taken a strong stance against the film. Not only do they want to protect families from the film’s inaccuracy, their laws also prohibits the depiction of prophets in order to avoid people believing the film over the scriptures, as demonstrated by The Ten Commandments.

So the question I propose is… “Will you see Noah, which releases on March 28th?”

86th Academy Award Winners

Best Picture — 12 Years a Slave
Best Actor in a Leading Role — Matthew McConaughey (Dallas Buyers Club)
Best Actress in a Leading Role — Cate Blanchett (Blue Jasmine)
Best Actor in a Supporting Role — Jared Leto (Dallas Buyers Club)
Best Actress in a Supporting Role — Lupita Nyong’o (12 Years a Slave)
Best Animated Feature — Frozen (Chris Buck, Jennifer Lee, Peter Del Vecho)
Best Cinematography — Gravity (Emmanuel Lubezki)
Best Costume Design — The Great Gatsby (Catherine Martin)
Best Directing — Gravity (Alfonso Cuarón)
Best Documentary Feature — 20 Feet from Stardom
Best Documentary Short — The Lady in Number 6: Music Saved My Life (Malcolm Clarke, Nicholas Reed)
Best Film Editing — Gravity (Alfonso Cuarón, Mark Sanger)
Best Foreign Language Film — The Great Beauty (Italy)
Best Makeup and Hairstyling — Dallas Buyers Club (Adruitha Lee, Robin Mathews)
Best Original Score — Gravity (Steven Price)
Best Original Song — Let It Go – Frozen
Best Production Design — The Great Gatsby (Catherine Martin, Beverley Dunn)
Best Animated Short Film — Mr. Hublot (Laurent Witz, Alexandre Espigares)
Best Live Action Short Film — Helium (Anders Walter, Kim Magnusson)
Best Sound Editing — Gravity (Glenn Freemantle)
Best Sound Mixing — Gravity (Skip Lievsay, Niv Adiri, Christopher Benstead, Chris Munro)
Best Visual Effects — Gravity (Tim Webber, Chris Lawrence, Dave Shirk, Neil Corbould)
Best Adapted Screenplay — 12 Years a Slave (John Ridley)
Best Original Screenplay — Her (Spike Jonze)