A Surprise Request to Screen Megan Leavey—Review

MEGAN LEAVEYRegal Cinema contacted me with the hopes of attending a prerelease screening of Megan Leavy. The invitation was not the standard film review request, as veterans were also invited to attend. Surrounded by heroes, my expectations quickly grew. I wondered if director Gabriela Cowperthwaite might be the next Oscar winning female director along side of Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty).

Megan Leavey receives a wide release on June 9, 2017. The film is based on a true life story of a young Marine Corporal (Kate Mara: House of Cards, The Martian, Iron Man 2) whose unique discipline and bond with her military combat dog saved many lives during their 100 plus missions in Iraq.

While the film takes you on a journey with Leavey and Rex training to be warriors, and even highlights a few missions, the film is not a war movie.

“I think of Megan Leavey as a relationship movie about someone learning to value themselves by virtue of valuing and caring about something else,” said director Gabriela Cowperthwaite.

Known for her documentaries on the protection of animals, Cowperthwaite made sure the audience experienced what the dogs and their partners work through during their bomb sniffing duties.

MEGAN LEAVEYThe film opens with Leavey living a hot mess of a life. She runs away from it by joining the Marines. Through a series of circumstances, Leavey is assigned to partner with Rex, her military German shepherd. They train hard together and build a relationship that helps Leavey understand what love and devotion is about.

Midway through the film they face an attack and both suffer an IED injury that puts their partnership in jeopardy. Leavey puts in for retirement and seeks to adopt Rex so they can work through their healing process together as civilians, but Rex gets redeployed making Leavey’s PTSD recovery extremely difficult.

For Rex’s sake, Leavey steps up her life, as a Marine would, and goes to battle for Rex’s retirement and his adoption. Her shear will and passion for Rex is enough to spark her creativity and she does what no one had every done before. The outcome will bring pride to your heart and a tear to your eye, especially if you are a dog lover or know a veteran who had a hard time adapting to civilian life.

Unfortunately the film has several unnecessary scenes that make it feel about 20 minutes too long. And, a few scenes that you’d love to see in depth were only alluded to instead of being shown. However, the acting is top notch by most of the cast and the love between Leavey and Rex will keep your interest.

PosterAfter the screening several veterans sitting nearby shared how they knew a person just like Leavey and felt the overall story was accurate concerning their attempts to reintegrate into civilian life. They also loved watching the end credits featuring footage of the real Megan Leavey and Rex.

Also in attendance was a millennial filmmaker who discussed the film with me as we left the theater. We debated about the holes in the story and the lack of exploration in the areas of Leavey’s life that I wanted to better understand. But we quickly agreed that this moderately budgeted film was well worth supporting, as non-blockbuster films (the theater staples of the past century) seem to be few and far between.

We also agreed that Cowperthwaite was not the next Oscar contender, nor was the film a war movie. Megan Leavey is a dog lover’s movie about finding oneself through the caring of another. While the intensity of the battle scenes should be avoided by children, the film is of value to older kids.

© 2017 by CJ Powers

Awakened (Faith-Based Thriller) – Review

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I receive numerous films to critique, but I only take time to review the ones that have something unique to offer. So you can imagine my surprise to get a copy of a “faith-based thriller.” It was an oxymoron that I had to watch to satisfy my curiosity.

Faith-based films are slow, filled with preaching and mostly display low production value. Thrillers are mysterious, increase in intensity and speed of storytelling until the climax. The juxtaposition of the two made me curious, as I had to learn how the co-directors accomplished this feat.

The novelty of the concept peaked my interest when I learned the film won three festival awards and was awarded four Doves for family-friendly content. I had no idea how a thriller could be family-friendly, so I couldn’t wait to watch the film.

The faith-based elements of the film was certainly in place with a very slow pace that caused me to doze off three times. The preaching was intact with numerous quoted scriptures and a half dozen preaching moments. And, the production values were extremely poor.

The thriller side never ramped up its pace, nor did it compell me to watch the film until the last reveal. In fact, most of the thriller moments were more horror oriented and badly executed. I suppose I could say the film was horr-ible.

Co-directors Eugene Cuevas and Brian R. Reed shared the creation of several short films together, but this first feature length film of theirs was a bust. Hopefully they learned valuable insights into filmmaking from this disaster.

mediasI also hope that the three festivals that awarded the film for Best Visual Effects, Best Film and Best Feature Film have learned not to put their seal of approval on bad films. I can understand the desire to award the least worst film when a festival isn’t able to draw in great filmmakers, but the only way bad faith-based films and thrillers will ever improve is when only great films receive awards.

In case you’re wondering, the story is about a journalist who is captivated by a demon in the wake of losing his job. The demon appears in the form of a sexy 1960’s blues singer who convinces him to seek out the real story of her death. But thankfully, his spiritual wife realizes that sometimes the right hand has to help the left hand, so she does battle to save her husband.

The man feels like a “nobody” at the beginning of the film and demonstrates that he is a “nobody” at the end of the film. He doesn’t change or grow, so I’m not sure why the story was about him. She, on the other hand, is wise in the beginning and becomes more spiritual for her husband’s sake, by the end of the story.

For this film to receive four Doves for being family-friendly, someone had to have fallen asleep during its viewing and didn’t want anyone to know about it. With the poltergeist scenes of pictures flying off the wall and the bed sheet sitting up in the form of a dead woman, I’m not sure I’d view it as family-friendly. Not to mention the movement of the dead woman’s facial skin toward the end of the film.

My curiosity of how the co-directors merged faith-based and thriller genres has been quenched – They failed. Two diametrically opposed genres cannot be merged into anything worth watching. Rather than purchasing this DVD, take your family out to see The Jungle Book.

Copyright © 2016 by CJ Powers