Leveraging the Creative Subconscious

CreativeAfter watching a dozen documentaries about screenwriters, designers, directors and editors, I’ve come to the conclusion that these artists, at least the good ones, know how to leverage their subconscious. The art they create not only has a footing in reality, but their perspective is greatly enhanced by a highly creative filter from deep within the right side of their brain and their heart.

The most exhilarating creative ideas that pop into my head come early in the morning or at times when my mind is off playing or well rested. The pros take advantage of those moments to strengthen their work and bring new entertainment value to bear. This same moment allowed me to write this blog in the fraction of time it normally takes.

To leverage this strength, my friend David did creative work in the morning and analytical work in the afternoon when logic ruled his mindset. That’s not to say he was never creative in the afternoon, but the level of creative play was typically reduced after hours of exploration and work.

There are three commonalities among professional creatives that are worth understanding.

PLAY

Deadlines and pressure never increase creativity, but the opposite magnifies the creative flow. The strongest fuel of imagination is play. It’s made up of the same elements we explored as children and allows our inner child to come out to have fun. It can’t be taught or demanded, it can only be given a safe environment in which to let go so the creative can be free to pretend.

Play allows hearts to touch or bond without being romantic, which non-creatives don’t get, as they’re convinced something more has to be there, but its not. Play also allows passion to rise and solidifies why a work of art is important. Without it, people can’t understand what the artist saw in the work.

PROCRASTINATE

Non-creatives who have watched the procrastination process of the artist assume the person is lazy; not realizing their mind is going a million miles per hour. The percolation process is what gives flavor to the creatives’ work. A long bought of what appears to be boredom turns into aggressive workflow that can easily go late into the night or until the creative has to flop onto his bed.

Many creatives will plan ahead for their moments of procrastination by determining in advance the item they want to ponder. Most find their breakthrough by morning or in the drifting of their mind. Harnessing this natural phenomenon gives professionals an added benefit of what appears to be a secret weapon of the imagination.

OBSERVE

The best writers I’ve met or learned about through blogs and short films take time to watch a movie every day. They also peruse scrapbooks, magazines and other mind stimulating products. Not only do the myriad of observations fill them with ideas, but it also helps them to know what to avoid because it has already been done.

The most fun is watching others live their lives. People have the funniest idiosyncrasies that inspire. While some might suggest these oddities are a sign of the person’s weakness, the artist sees it as their humanity emerging in a unique fashion. These peculiarities make the person wholly them.

Being able to leverage the elements that feed the subconscious, the creative can explore matters of the heart like no one else. The more this process was protected by society, the greater was the renaissance of the time. It’s no wonder that most movements were birthed in the church, which at one time was a protected place for many hearts before the decades of judgment that ensued.

Over this weekend, as America celebrates its Independence, find time to play, procrastinate and observe. See if anything arises within your soul that must be reduced to some form or expression of art. Take this weekend to determine if being more creative will give you insights into humanity and a wisdom found by few.

The Scrappy Storyteller

IMG_0172bI’ve met hundreds of storytellers in my life and found that few understand how to conform their abilities to a marketable style. I’m not talking about a niche genre, but an actual style that incorporates the core essence of who a person is that includes their creative methods and delivery.

The Scrappy Storyteller is a great example. Lisa is a storyteller, artist, and Steampunker. Everything she does demonstrates those core elements regularly. In fact, her love for using her hands to patch things together seems to be integral to her projects.

Yesterday I received a presale copy of her new comic book. It’s a mystery that features Alethia Grey from Milwaukee during the late 1890s. This sci-fi steampunk novella is fun and a quick read. But Lisa’s entertainment value goes beyond the story. The graphic novel is published on high quality paper with a durable glossy cover in keeping with the era’s desire for things to last.

To support her super fans, she offered special gifts for all who purchased the book during her presale period. Appropriate for her style, Lisa patched the items together by hand. The pieces were clearly in true steampunk fashion and reflected a creative heart and loving spirit that was befitting of the artist’s core essence.

IMG_0171bMy gifts came in a handmade bag. A personal handwritten thank you card was included. The cover of the card proudly displayed her DIY artwork. Inside the bag was the comic book, a decorative pin, art made on a stretched canvas, and a small card reminding me of her other product. Her slogan read: handmade tales told a piece at a time.

For anyone who has followed Lisa or gotten to know her in person, it’s clear that she lives story. But, not from a glitzy Hollywood type mentality. Instead she takes personal care in creating homespun stories that she pieces together as she shares it.

Aurelia was one such project. She was the creator and showrunner for an elaborate live production where fans played characters in her Internet story. Lisa was able to carefully craft her story to include all the elements fans added. The nationwide team created entries that were written, recorded as audio only and produced on video.

Lisa has a rare talent that allows her first impressions to ring true in the souls of her fans. She is gifted with words, has a great eye for style, and the ability to turn discarded items into art. But what makes her really unique is that everything she does easily fits the expressions pouring from her heart. I call that unique combination integrity of art.

Artists no longer need to find themselves or their style. Instead, they need to look inward and learn who they are. Once they understand their core self, they can filter all their art through the style that rises from within. Lisa has accomplished this very thing and helps others to follow in creating continuity within their businesses and super hobbies.

Lisa can be found through her steampunk blog at ScrappyStoryteller.com or for those wanting to create integrity within their art can find her business at LisaEngland.com.

© 2016 by CJ Powers

For Money or Art

Dolly move during scene 1Filmmaking is one of the few businesses that give you the choice of making art or a profit. Those entering the industry must either work their way up through the ranks, or capture the market’s attention with an extremely “artistic” film or a very lucrative one. Most filmmakers opt for the artistic film.

The sex appeal surrounding an art film is intoxicating, but rarely launches a filmmaker. There is total freedom in how the filmmaker advances through his process and he answers to no one. While this builds a lot of self-confidence, it can also be confusing when the film turns out less than artistic.

Independent filmmakers have released just under 300,000 films out of the 5MM produced from 1971 through last year. That means only 6% received distribution. The fact that only 19 filmmakers launched careers from their short film is more disheartening. Unfortunately 16% of the 19 made bad features films that ended their career. In other words, out of all the filmmakers producing a short film since 1971, only 0.0000032% of the producer/directors succeeded at launching a viable career – This answer would normally be rounded down, but I’ll generously round the percentage up to zero.

Since a short film is not about launching a career, but practicing the art or craft, filmmakers must make the decision to create a story that will sell or attract attention. Many will perceive the filmmaker that says, “I’ll create a film that does both,” as ignorant. But, if he accomplishes the miracle, he’ll make history.

In my next workshop, I’ll share the key elements that must be in a short film to win awards. I’ll also share the opposing elements that must be in a short that’s designed to make money. Since it’s not possible to do two opposite things at the same time in a short, filmmakers will quickly understand that they must make a choice.

The story structure used for a moneymaking short is very different than an art film. Many have tried to break the structure and create their own, but it’s resulted in the film not making money and not getting any attention. But hopefully those filmmakers learned more about their craft, which they can consider successful.

I’ve won numerous awards with short films (that didn’t make any profit) and also have made $15,000 – $168,000 on my short films (that didn’t win any awards). That experience taught me a few lessons that I’ll pass on to those attending the workshop. I will also share the secrets I’ve learned as a panel judge for several festivals.

Structuring a short as an artistic film or one to be exploited is critical for success. Those filmmakers that don’t use the proper structure create films that only excite their friends and make no money. In fact, years later the filmmaker might look back at the film and see nothing of value because he didn’t commit to either direction.

In the workshop we’ll discuss commercial and artistic loglines, story beats, outlines, writing drafts, rewriting for visual impact, adding subtext, rewriting dialog, and building conflict. We will also talk about stereotypes and character development – Why one is good for art and the other for making money.

I’ll let you know once the workshop location and dates are locked in. The workshop will take place over four 2-3 hour sessions. The networking alone will be amazing, but you’ll feel powerful when you leave the workshop knowing exactly how to pull in money or awards with your story.

Copyright © 2016 by CJ Powers