A Director’s Take on Auditions

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Auditions are a critical aspect of the filmmaking process, and as a director, it’s essential to know what to look for in actors during these sessions. The audition process can be lengthy and challenging. Still, a director can find the perfect fit for their film by focusing on three key areas:

  • Observe the actor’s capabilities
  • Determine the actor’s chemistry with cast members
  • Ensure the actor can take direction and explore collaborative choices

Observing the Actor’s Capabilities

One of the most crucial things a director should look for in an audition is the actor’s capabilities. This involves examining the actor’s range, ability to convey emotions and portray characters accurately.

To assess these capabilities, directors can provide actors with monologues or scenes that challenge their acting skills. The scene can be a simple interaction between two people or involve more complex emotions and conflicts. The goal is to get the actor to play and interact in a manner that reveals their capable range.

During the audition, directors should look for the following traits in the actor’s performance:

  • Authenticity: Actors should be able to embody the character they are auditioning for and make it believable. They should be able to evoke the character’s emotions, mannerisms, and speech patterns to make the character come to life.
  • Versatility: The best actors have a deep range and can take on different roles and genres. Look for actors who can perform different emotions and characters with ease.
  • Presence: Actors should have a presence that commands attention. They should be able to captivate the audience with their performance and hold their attention.

Determine the Actor’s Chemistry with Cast Members

Chemistry between cast members is vital for a film’s success. Actors should be able to work well together, establish trust and rapport with one another, and create believable relationships on screen.

During auditions, directors can pair up actors and see how they interact with one another. Directors should look for actors who can create chemistry naturally and authentically. The result of strong chemistry appears in the form of challenging tension and natural acceptance.

The following are some factors to consider when evaluating chemistry:

  • Compatibility: Directors should look for actors who share similar energy and can complement each other’s performances.
  • Communication: Actors should be able to communicate well with each other and create a sense of camaraderie.
  • Adaptability: Actors should be able to adapt to each other’s acting styles and make changes to their performance if necessary.

Ensure the Actor can Take Direction and explore Collaborative Choices

Directors should look for actors willing to take direction and explore various solutions to a scene. During auditions, directors can provide actors with feedback and see how they respond to it. Actors who can take direction and make changes to their performance show they are open to collaboration and willing to work towards a shared vision for the film.

The following are some factors to consider when evaluating an actor’s ability to take direction:

  • Flexibility: Actors should be able to adjust their performance and adapt to the director’s vision.
  • Creativity: Actors who can explore different ways of performing a scene can offer new insights and ideas that enhance the overall film.
  • Collaborative Spirit: Actors open to feedback and working with others can create a positive and productive working environment on set.

The audition process is a crucial step in filmmaking, and directors should know what to look for in actors during this process. Observing an actor’s capabilities, determining the actor’s chemistry with cast members, and ensuring the actor can take direction and explore collaborative choices are all key factors in finding the right actor for a role. With these factors in mind, directors can make informed casting decisions that result in compelling and authentic performances that bring their film to life.

Copyright © 2023 by CJ Powers

Great Directors use Adjectives and Verbs

AdjectivesI was asked today what the difference in skill or techniques were between a good director and a great one. There is a lot of commonality in how both directors get started in filmmaking, but once they’ve gained experience the great director works specifically on developing his adjectives and verbs.

The adjectives are the tools the director uses to convey key information to his cinematographer and production designer. He also uses it to communicate with publicity, studios and producers. The words make the difference between a good pitch and a great one—a higher budget versus a smaller one.

Adjectives give color to a conversation and ignite emotions. Since film is an emotional medium, adjectives play a major roll in determining what films get made. Films explained without adjectives fall flat and fail to give the audience an emotional ride that films are known to do.

Verbs are the tools needed to adjust the efforts of the actors. Saying, “give me a little bit more,” tells the actor nothing and frustrates her. But, changing up the verb within the direction gives the actor something to play.

For instance, let’s say the director told the actor to “urge” the other character to take a sip from the glass and it didn’t play well. The director would explore a more intense version of the same action. He might tell the actor to “exhort,” “push” or “force” the character to take a sip. Each word brings another level of intensity to the scene.

The opposite is also true. When the director wants the actor to back off of the intensity of the scene, he merely gives direction with gentler verb choices. By choosing various levels of verbs, the actor is able to picture the exact action their character might undertake.

The best news is that verbs are actions that can be played without the actor having to translate what “more” or “less” might equate to. By giving an actor a specific verb to play she can immediately determine what actions her character might take in accomplishing the verb. This frees the actor up from the acting process and allows her to stay in character while playing through a few creative choices.

More and more directors have become writers in recent years because they’ve learned a lot about words in promoting their films and directing their actors. They understand the emotional tone of the film and had to learn the words required to describe it to others. They also know what it takes for an actor to play a roll; so learning numerous levels of verbs became second nature to them.

Once you’ve learned how to use adjectives and verbs, the distance from being a director to becoming a writer/director is very short. The same is true for a good director becoming a great director.

© 2017 by CJ Powers

Life from the Perspective of Peas and Peanuts

peasMy youngest daughter and I were laughing at dinner. It was hard to withhold side comments when her son attempted to stick a garlic shell noodle up his nose. My son-in-law thought the little guy’s behavior was a little illogical, because if his son really wanted something up his nose, the peas on his plate would make the attempt easier.

Contemplating any form of logic in that particular moment was worth a chuckle, so we all joined in with crazy banter, trying to one up each other on profound comments surrounding the logical choice of peas.

Soon a deep parallel was drawn to my daughter and son-in-law’s middle school youth group. This morning half of the class shared their contemplation of topics few adults are willing to address. I was amazed at their understanding and openness to discuss such controversial subjects.

The most artistic filmmakers, actors and artists I’ve met all held the same willingness to explore the depth of any topic related to the human condition. In fact, the better the artist, the more impact they made in society by addressing the difficult in the development of their works.

Charles M. Schultz is one artist that I’ve admired for years. The man demonstrated integrity in his art and consistently demonstrated how to salt in morals and ideal behaviors that the masses drank in ever so deeply.

The syndicated Peanuts comic strip was his crown and joy. He spent 50 years entertaining the world with difficult childhood emotions that impacted our society. Two weeks after the assassination of Dr. Martin Luther King Jr., Shultz received a sincere letter from a Mrs. Harriet Glickman, who perfectly articulated the idea of adding a Negro child into the Peanuts strip. She was also astute enough to warn him of the possible ramifications.

Schulz LetterSchultz received thousands of letters every month and rarely heeded suggestions. He was a true artist with many ideas stock piled for future strips. However, he was so moved by Glickman’s suggestion that he responded to her with his concern. Schultz feared any attempt on his part might come across as patronizing and he had no good solution.

Glickman asked Schultz for permission to share his letter with a black male friend of hers by the name of Kenneth C. Kelly and had him write Schulz with two good reasons for including a Negro child in his Peanuts strip. Kelly was also articulate and suggested Schulz introduce the character as a supernumerary that could be developed later into a main character.

But Schultz wouldn’t have it that way. He had something specific in mind to do once his fear of patronizing blacks was defused. Schulz sent a letter off to Glickman announcing that on July 31, 1968 Peanuts would debut Franklin, Charlie Brown’s African American friend.

Unfortunately, Glickman was right about the backlash Schulz would receive, but he handled it well. Larry Rutman, president of United Feature Syndicate didn’t like a scene with Franklin playing with the other children and asked for a change.

Schulz gave the perfect response, “Well, Larry, let’s put it this way: Either you print it just the way I draw it or I quit. How’s that?”

Larry printed it and Peanuts went on to impact numerous societies worldwide.

It only takes one artist with perspective and integrity to change a culture.

Peanuts

Copyright © 2015 by CJ Powers