The Resurrection of Gavin Stone was released this past weekend with a great deal of grassroots fanfare. I was bombarded by people telling me that the film was “HILARIOUS” and that I needed to support it because the “Christian film genre needs help.” I was skeptical about the film being that funny, but I trusted my sources and watched it.

When the theater lights came up after the end credits, I realized that all the social media entries about the “HILARIOUS” film were all fake news. My friends were duped, or they’ve learned how to lie for the sake of a good cause. Nah, they were duped.

It seems that the more a person watches campy films to support a cause, the more the bar of their artistic scale lowers. They loose track of what is great cinema and what should’ve been relegated to a TV Movie of the Week (MOW) on a small cable network.

But I’ll give them the benefit of the doubt. I’ll suppose they hadn’t watched La La Land or Hidden Figures yet, which would have shifted their skewed perspective back to a healthy norm. And, they probably hadn’t recently watched videos of The Blind Side, Gravity or Les Misérables.

Then again, maybe they’re stuck on squishy Hallmark movies, where in the first three minutes of the film you know exactly where the plot is headed—comfortably taking away any unwanted surprises. The Resurrection of Gavin Stone did that very thing, lifting its tired plots directly from Hallmark Christmas and Winterfest movies.

I don’t slight director Dallas Jenkins for using a Hallmark format for a campy story in the least, but I do find it interesting that he was quoted as saying his desire was that the movie “drives people to church on Sunday morning,” when the film was clearly made for the proverbial choir.

The film was loaded with Christian jargon that wasn’t understood by the general public, making it impossible to create any desire in a non-believer to attend church. The “inside jokes” also made it difficult for the audience to feel compelled to join the click, rather than being repulsed by it. That’s not to say Jenkins didn’t have the right to make a film for the choir, but to say he hopes it reaches unbelievers sounds like the perfect set up for fake news.

When a film’s language is campy Christian, gritty secular crowds won’t get it. Most won’t even buy the ticket. In fact, the moment Christians hear that the film is yet another faith-based campy story that belongs on a small cable network, box office sales will dry up. But, it won’t really matter, as Jenkins got his two weeks in theaters to increase video sales.

Oh, and in case you’re wondering, the film was a flop at the box office. Opening weekend saw less than $2,500 per screen average; a number that once a normal film drops to is clearly on its way out.

But the film isn’t all bad. The good news is that the choir will laugh hardily when watching this comedy that doesn’t take itself too seriously. In fact, the choir might finally be able to poke fun at themselves after watching this film that takes the starch out of the up-tight ministry leader. Jenkins did a great job at getting the proverbial choir to look at themselves from an outsider’s viewpoint.

There were even several great moments of acting aside from the purposeful cheeky scenes filled with self-deprecating choir humor and campy fun. Had the title been better suited toward comedy and the film shot as a television special, I’m convinced it would’ve had much higher viewership.

The timing of the film might have added to the film’s death, since many in the choir are still trying to see award winning films like La La Land and Hidden Figures – Both are must sees in my book.

So let me be clear … stating that the film is “HILARIOUS” is fake news. Saying that the film will “delight members of the choir and their friends” is truth. Saying that the film is “original” is fake news. Saying that the film is heartwarming is truth. Are you getting the picture?

My recommendation, go see La La Land and Hidden Figures first.

Copyright 2017 by CJ Powers