The Gift of Imagination

scribbleOnce upon a time there was a wee little man who wished his imagination was big enough to create a gift for his niece’s birthday. He sat down immediately and started scratching lines and curves on a piece of paper. He was hoping that from the chaos a form of fun art would emerge, but his strokes didn’t look like art.

Nothing looked like anything, which infuriated the little man. Out of sheer anger he scribbled all the more until his paper was filled with a squiggly mess.

His eyes began to water when a wise old owl perched outside of his window.

elf“What seems to be the matter?” questioned the owl.

“I can’t seem to do anything creative,” moaned the wee little man. “I had hoped to sketch out a present for my niece’s party, but my creativity lacks something awful.”

“Not at all,” mused the wise owl. “For I see a cool elf in the picture that will amuse your niece.”

The wee man squinted and bulged out his eyes until he finally saw what the owl had discovered. His hand quickly covered the paper with a tissue and outlined the picture with another color until it was easier to see.

Colored Scribbled elf“It’s amazing!” cried the little man.

He turned from the owl and began coloring the work. It would be a wonderful, humorous gift for his niece. By the time he was finished a large smile formed on his face, but then disappeared.

“What is the matter?” asked the wise owl.

“My niece has a turtle collection and I wished my scribbles had created a funny turtle for her instead.”

“Very well my little friend,” affirmed the owl. “Turn the original scribbled picture upside down, find the turtle, outline it and color it to your satisfaction.”

The man flipped the picture around and spotted the turtle carrying a service tray. He outlined it and colored it until it looked like a fun picture.

Turtle“Thank you Mr. Owl,” said the humble man. “I would never have seen my own creativeness had you not pointed it out.”

“You are welcome,” the owl said. “Now take your gift of creativity to the child and teach her how to see the inspiration that her chaos can bring to our world.”

The wee little man gave a nod, grabbed the picture of the turtle and headed off to the party. He couldn’t wait to see what his niece’s imagination would create.

Copyright © 2014 by CJ Powers

Stretching Your Creativity

After publishing my Facebook test to determine what one word describes me, I had a person ask me how I became so creative. My answer was simple, as I was born creative. The real question should have been, “How many years did it take to learn how to be logical?”

Of course, what the person really wanted to know was how he could exercise his creativity in order to better apply new insights and innovations to his life. Many people asked those same types of questions of the Disney Imagineers, who are known for creativity and showmanship.

Sue Bryan is a person who knows what she likes when she sees it. When the question was posed to her, she was the Senior Show Porducer and Concept Designer with Disney Imagineers. Her response – “Your ability to articulate your likes and dislikes will give you the ability to champion and defend your project.”

Sue sees herself as a design detective, always taking notes and capturing images for future reference. If it feels right, she keeps it to spark new ideas at a later date. Some of the steps of her process was published in The Imagineering Workout: Exercises to Shape Your Creative Muscles.

Observe Something You Like

Sue’s process is to assess her reaction of anything she observes for 5-10 minutes. It allows her to understand what aspect attracted her – Color, shape, sound, form, personality, habit… She continues the process by thinking about how she was engaged within the experience – Feeling, memories, details, use…. The exploration can include what makes us buy one product over another – Desire, expense, need, brand….

Observe Something You Don’t Like

Sue also picks up on her negative emotions and responses. Knowing why we don’t like something can be very revealing of who we are and what contrast might inspire something great. After determining what turns her off, she looks for something she appreciates within the thing being observed. This helps her to find the thing that makes it cool in someone else’s eyes and drives her to figure out why.

The amount of insights in others that we can gain by paying attention to the thing that makes something cool for someone else is priceless. Reviewing the why behind our own tastes can also help us refine our art for the express purpose of making it more universally acceptable, while maintaining its integrity.

In every story I’ve written and every film I’ve shot, I can tell you my favorite scenes and the ones I wished had ended up on the cutting room floor. The more I review those positive elements and drop the things that cause me not to like something, the more widely accepted my stories become.

Even speakers use this process, albeit subconsciously at times. Most speakers learn very quickly which jokes work and which ones don’t. The ones that work are kept and polished and the others are replaced. The more often a speaker gives a specific talk, the more impressive the presentation becomes.

Please take some time today to analyze why you like something and try to determine what it is that sparks that feeling. I’d also encourage you to consider searching to find out what it is about something you don’t like. Then, see how your newfound views impact your life and work.

Practicing creativity is the only way to stretch and increase your creative output.

3 Types of Objectives that Lead to Failure

My business journey has given me significant experiences in retail, corporate and manufacturing. As a certified Six Sigma consultant I’ve managed hundreds of millions of dollars and as a salesperson I’ve closed $2.3B in deals. While this might sound impressive to some, it is not.

In all of my business experiences, I’ve learned, albeit the hard way at times, that ALL success is driven by proactively achieving realistic and measureable objectives – Nothing more. It doesn’t matter if you get paid $8.25 an hour or you receive six figure bonuses. I can assure you that the same business principles work at all levels and in every industry.

I can also assure you that there are three types of objectives that lead to failure and hurt the business.

1. The Unpublished Firestorm

During my tenure at a large box retail store I found myself receiving a disciplinary notice in writing. This was soon after I had converted many markdowns into credits, which I thought was worthy of a pat on the back rather than a negative performance review. However, it turned out that I was not meeting my unpublished objectives.

Apparently my partial training did not prepare me for working the objectives I was never given. Nor did I have any metrics to meet; yet I was being judged by specific measurements listed in my disciplinary notice. The discussion that accompanied the paperwork clarified that I was also to be making certain business decisions without the help of others, or the help of business parameters that would guide standard business decision processes.

I was, however, told in the beginning that I would have 90 days to become fully operational. That magic date triggered the disciplinary measures. Unfortunately, the entire store was in a firestorm of activity during the busy season when I was hired. This forced me to learn most of what I did through osmosis and observation.

The great news about the disciplinary notice is that it forced circumstances that helped me to understand my unpublished objectives. The bad news is that the process forced several levels above me to learn for the first time that I existed, but as a problem child, not one that was converting markdowns, shrink and returns into credits.

The lesson I learned – Assert to have your supervisor measure your work ONLY on published, achievable, realistic, and measurable objectives that you both agree on.

2. The Everyone-Wins Pretense

I spent a lot of time in the Fortune 50 world both as an employee and a consultant. Everything I did was about published metrics, which was far better than trying to meet unpublished objectives. However, the metrics I was assigned were so full of fluff that it didn’t drive any specific business behaviors or decisions.

It’s common for businesses to shift and move with the market, but it’s just as uncommon for upper management to allow for the metrics and objectives to flex to the ever changing business drivers. This is due in part to how bonuses are structured.

The end result is the establishment of objectives that are so soft that any successful activity will appear to be an achievement. These types of objectives are merely in place to meet the redtape requirements of the corporation and in no way drive the business.

At the beginning of every year I was to put my measurable objectives in writing. Then the document would go up the flagpole and trickle back down with so many fluff words that any good executive could make my performance seem spot on or like I missed it by a mile, depending on my social/political position at the time.

This was done to support the executive’s goals. If the team succeeded, the documentation proved that the execs were smart, excellent planners and drove the business in the exact way they had predetermined. And, if the team failed, the documentation would easily point out which worker held the team back from success and needed to be put on a performance improvement plan.

The lesson I learned – Assert to have your executives measure your work ONLY on published, achievable, realistic, and measurable objectives that you both agree on.

3. The Zealous Ambiguity

I was brought on board to consult during the development of a start up company’s business plan. The first draft read incredibly well and its design was not only functional, but artist. At first glance, it was a business worth investing in. That is, until I read the objectives.

The objectives were actually goals or vision statements. There were no measurements to hold anyone accountable and the budget didn’t come close to supporting the enthusiastic ideals set forth. Yet some how, the zealous ambiguity that normal companies wouldn’t be able to achieve in less than ten years with twenty times the budget, seemed compelling and therefore worth investing in.

However, a second read of the material made me realize that the executives had no clue what they wanted or how they were going to achieve it. Their natural charisma and vision covered for their inability to convert ideals into practical and measureable actions.

After sitting down and talking through each of the twelve key objectives, we tossed out all but two. We then determined the strategies and action plans required to specifically achieve those two, now measureable objectives and built a realistic budget. The end result was a start up cost of four times the initial budget – But it was now actually achievable.

The lesson I learned – Assert to have your clients measure their work ONLY on published, achievable, realistic, and measurable objectives that you both agree on.

The goal of an objective should be to measure reality for the sole reason of methodically reproducing the successes and turning around the failures. Anything less is merely a political or ignorant game that increases shareholder risk. Unfortunately, most directives are not geared toward improving the business model and its success, but rather are put in place to quickly find scapegoats and cover for executives who have no idea how to run their business.

Copyright © 2014 by CJ Powers