Interview with Princess Cut Writer/Producer/Director

I’ve known Paul Munger for a few years and I’m excited about his latest film project. Paul is an award-winning filmmaker and I originally met him electronically through social media exchanges about filmmaking. He lives a quiet (not counting the noise generated by all his kids), high moral lifestyle and loves the medium of film.

Princess Cut is a love story that suggests true love is worth waiting for and based on how Paul and his wife live daily, the values depicted in the film will be worth watching.

Mimi SagadinLet me take pause for a moment and give a shout out to my friend Mimi Sagadin who is one of the leads in the film. Mimi and I meet at a film conference where she taught actor workshops and I taught screenwriting workshops. We had a great time chatting about the art of film and improving our craft. Not only was she a generous, loving and humble person, but I also learned that Mimi is very careful about the films she stars in, which speaks highly of Paul’s writing efforts.

So without any further ado, here is my latest conversation with Paul…

CJ: Where did your inspiration come from for your latest film Princess Cut?

PAUL: One of the foundational desires of the human heart is the yearning to love and be loved. My wife and I drew from our own experiences in trying to navigate the maze of romance and these became the core elements of the story. Additionally, some events that happen in the movie are loosely based on insights  penned by bestselling relationships book authors such as Eric & Leslie Ludy, Joshua Harris and Voddie Bauchum.  The books themselves make their way onscreen through organic and interesting scenes. You’ll have to watch the movie to find out how!

CJ: You’re promoting the film as a faith and family friendly film. What key elements of the film reflect that genre?

PAUL: I’m absolutely convinced that there’s a wide group of people across the country who can identify with me and my dilemma. As to identity, first and foremost, I’m a Christian.  And secondly, I’m a family man, with 8 children ranging in age from 13 to 1. Now here’s my dilemma: When we have family movie night, I’ll head to the video store with high hopes, but almost invariably I’ll have a really tough time finding something suitable for all of us to watch together.  We’re simply looking for quality stories that affirm our faith and don’t include offensive elements such as profanity, nudity, and graphic violence. Those are some of the guiding principles that embody Princess Cut, and we expand the value by adding in positive portrayals of family life and the Christian faith.

CJ: You found new talent in Ashley Bratcher, while bringing on board veteran of faith-based films, Jenn Gotzon. What was it like working with these two?

Ashley BratcherPAUL: These two actresses are splendid jewels.  Rising Carolina talent and lead Ashley Bratcher is really one to watch. As a versatile method actor, she dove into the role of Grace with extraordinary fervor.  I was impressed and grateful that she always came super prepared.  Not only did she take direction extremely well but her timely input on scenes or wording of dialogue beautifully enhanced the final product.

Jenn GotzonJenn Gotzon was the first talent I brought on board.  I always knew I wanted her as part of the team, having had the privilege of working with her on Alone Yet Not Alone and The Screenwriters. Equally as talented, she brought her experience to bear in the role of Brooke. Jenn’s dedication to go at the performance until we nailed it was an invaluable asset during some long shooting days crowded with cast and a host of extras!  Factor in an always positive attitude and winning personality, and you’ll see on-screen why I wouldn’t have wanted any other person for the role.

CJ: In what way did the film challenge your directing skills?

PAUL: Honestly, I never thought I’d be the one directing Princess Cut. But it turned out to be one of the most delightful experiences of my life. When you have a talented team like I was blessed with, it makes your job so much easier.  We had one of the most harmonious sets of which you could ever dream. But of course there’s always hurdles to overcome. For instance, when one of our key actors became sick we had to make some critical decisions that required massive reshuffling of the schedule.  In God’s providence, this turned out to our benefit.   And throughout production, I was constantly challenged to find new and better ways to clearly communicate my desires to the cast and crew. But in the final analysis, I learned and grew so much, and wouldn’t change a thing.

CJ: You have a Kickstarter campaign to raise the final funds to post the film. How are you getting the word out and how would you like people to help?

PAUL: After months of research and careful preparation, we launched our campaign on the crowdfunding site Kickstarter because of it’s name recognition and powerful tools. As the name suggests, crowd funding happens best when there’s a crowd! To me, that’s the exciting thing happening here, is that together we’re building a community, a family of engaged viewers who interact and share in this journey of love.  Our desire is to encourage the pursuit of selfless relationships and to build up and benefit families everywhere. If you share that goal, we’d be most grateful if you would share your thoughts and feelings about Princess Cut with your family & friends through Facebook, Twitter and your blog.

CJ: What is the most important take away you want the audience to have after watching the film?

PAUL: It’s the same core we’re trying to impart to our own children that we’ve woven into what we hope will be an entertaining love story, and it happens on both a horizontal and vertical plane: Give love time to blossom into maturity! That only happens when you’re patiently waiting on God’s timing (vertical), purely seeking the best for the one you profess to love (horizontal) instead of greedily grasping after what they can give or do for you.

CJ: Since I have readers from 144 countries and your crowdfunding allows for international participation, I hope several people will help you reach your goal.  Thank you for taking time to answer my questions.

PAUL: Thank you for the questions and asking about Princess Cut, it’s really an honor!  Be blessed!

Mom’s Night Out — Interview with Producer Kevin Downes

Mom's Night OutI had the opportunity to interview producer Kevin Downes about his latest film, Mom’s Night Out. It’s a comedy due to release on May 9th. The synopsis is as follows:

“All Allyson and her friends want is a peaceful, grown-up evening of dinner and conversation . . . a long-needed moms’ night out. But in order to enjoy high heels, adult conversation and food not served in a paper bag, they need their husbands to watch the kids for three hours—what could go wrong? MOMS’ NIGHT OUT is an endearing true-to-life family comedy that celebrates the beautiful mess called parenting.”

Kevin DownesHere are the highlights from our conversation…

CJ: Most summer films seem to be aimed at men, but this film seems to be designed for women.

KEVIN: Most of my films in the past have been sort of geared toward men – Films I’ve acted in like Courageous, or films I’ve produced. And, I’ve just really felt like God has put it on my heart to make a film for women. That’s really where it started for me in wanting to produce Mom’s Night Out.

CJ: How have the reactions at the pre-screenings been?

KEVIN: It’s been a lot of fun to see the response and the affirmation. We’ve heard so many times, “Oh, finally a film for us.” It’s a laugh out loud comedy that women can enjoy and have a night out with their friends or their husbands. Or, even with their dad or their mom. They can have a fun evening and still be affirmed as they go through the journey in the story of Mom’s Night Out.

CJ: How did you get into the female psyche to find the humor?

KEVIN: As a producer you surround yourself with great talent. The screenplay was written by Andrea Nasfell, who wrote from experience. She has some young toddlers herself and wanted to really write from her experiences as a mom and the craziness of parenting. And, have it be in a comedic form. Jon Erwin co-wrote the funny male testosterone moments from his perspective. He also has toddlers at home, so it was a good combination.

CJ: There is definitely a lot of humor in the film. Would you say it’s more situational comedy, or so true to life that it’s funny, or…

KEVIN: It’s all of the above. A piece of it goes to the fact that its so true to life that… We heard many women say, “They had a camera inside of my home. That’s my story. That’s me.” That’s what makes really effective storytelling, when you can create scenarios and elements where the audience is so engaged that they’re able to laugh at some of the things that maybe weren’t that funny when they were going through them, but when they see it on the big screen it can be quite therapeutic and funny.

CJ: I know comedy can be a very serious business when shooting. How was the atmosphere on the set?

KEVIN: It was very important for myself and the Erwin brothers, they have young children too, to have it be a family atmosphere on set. Our families were present on set almost everyday, as much as they wanted to be. The filmmaking process is often one with long hours, as it takes a long time to shoot a movie. But, it was quite the family environment on the set. It was actually a lot of fun for me…and I hope to have the same type of atmosphere on other films even if they’re not family comedies.

CJ: Does having the family on set change your production process?

KEVIN: Not necessarily. All of my past films have been something families can watch. Our process didn’t necessarily change throughout the filmmaking. We wanted to make sure the byproduct and the enjoyable atmosphere match that of the actual film itself.

CJ: What would you say the target market is for the film?

KEVIN: This is a family comedy. Whether you go to church or not, there’s gong to be elements in here that will make you laugh out loud. We’ve tested it for all types of audiences and we’ve had all different types of backgrounds affirm it. It’s a film for moms and a film for dads. It’s a film for parents. Even if you don’t have children, you’ve got a parent, and you’ve experienced some element or experience that we’ve outlined in this film. It’s an ensemble cast so there are multiple storylines that will affect multiple age groups. So, I think it’s a film for everybody.

CJ: Recently there has been a lot of family and faith-based films released. Do you think there’s an overload of this type of film?

KEVIN: I think we’re just beginning to see what the market can handle. Two years ago it was thought that the market could only handle one movie of this type a year, which obviously has been blown to shreds in the past couple of months. Mom’s Night Out is a family comedy and we haven’t had a comedy come out yet in this space, so I think that’s very unique to the film. One of the things that’s very interesting is that it takes so long to make a movie that all the films released to date have been in the production process for several years. The timing of all of them hitting at the same time isn’t planned per se, but I’m excited about the results from all of these films because I think it’s a very underserved audience. And the audience is making their voice heard by showing up at the theaters and letting them know that this is the type of film we want.

CJ: Does this film have anything Oscar® worthy or is it designed for just having a good time out?

KEVIN: I’m not sure I’ve ever seen a comedy get Oscar® attention, so we’ll start there. The performances are wonderful. Our actors are really talented. From Sarah Drew (Allyson) to Sean Astin (Sean) to Patricia Heaton (Sondra) to Trace Adkins (Bones) and the rest of the cast, are just really, really good. The Erwin brothers did a wonderful job in hand selecting their cast. Audiences won’t be disappointed. As they walk out of the theater they’ll certainly tip their hats to the cast because the performances are spot on.

CJ: What was your favorite part in the making of this film?

KEVIN: First, as a producer, I enjoyed seeing the cast perform in their environment – In their element. The cast had such a good time everyday making the film. Secondly, as an actor, I have such wonderful scenes with Sean Astin and he’s such a brilliant actor – It was such a gift to be able to act with him. He is so good at comedy. I feel really fortunate and blessed working with such talent.

CJ: Were there some favorite outtakes that occurred?

KEVIN: Sean and I had a funny bit where we’re tied together with saran wrap and it took us two nights to actually film that. It was actually a lot of fun to be taped to Sean Astin while twirling around the living room. Some of my favorite outtakes are from Patricia Heaton who does a great job with comedy and does it so effortlessly. I can’t wait for people to see her performance because she is so good at what she does.

CJ: Is the comedy designed as a faith-based film?

KEVIN: Filmmakers often make films that reflect their worldview and you’ll see that played out in Mom’s Night Out. But it’s also a film for everyone. It’s not designed specifically for the faith audience.

CJ: Do you feel kids can understand the humor?

KEVIN: There is definitely humor on the level that kids can understand. It was actually tested for ages 8-12 and they get a kick out of it. Even my five and six year olds like it. I don’t think its just adult humor.

CJ: The early success of the story suggests you might have a sequel in mind already. Is that the case?

KEVIN: Well, sure. I’d love to make five or six of them, but first we have to see if it actually performs. So we’ll see what happens May 9th. It’s a fun genre to create. I think clean comedies are completely underserved. We don’t see that in many of them — And comedies that tip their hat at women, even more so.

CJ: Is there anyone thing you want the audience to get out of the film besides a lot of fun?

KEVIN: May 9th is your chance to be able to make your voice heard when Mom’s Night Out comes to theaters. Whenever we go and buy a movie ticket we’re basically casting our vote for the movie we want to see, and Hollywood listens to that. So you’ll specifically see more films like that come out in the future.

CJ: Kevin, thank you so much for your time.

KEVIN: I appreciate it.