Throwing a Story-Based Party

partyBack when my kids were little, my wife and I threw story-based parties for friends. The food and the decorations perfectly fit the period and we even invited our guests to come in costume based on the party’s storyline.

Our World War II party took place in what looked like a bunker. The Star Trek party appeared to be on another world with very colorful foods. And, our western party included a shootout with a cowboy stunt team – and yes, one guy was shot off of the roof.

This weekend my son is organizing a “room escape” party – the latest in entertainment events. Not only will it have a theme, but it will also be story-based. The goal of those “locked” in the room is to search and find clues, decipher the codes and follow them to the conclusion that reveals the key to get out.

All of the best parties that I’ve attended were story-based. Story events take a great deal of effort for the host to prepare, but everyone will remember the event for decades to come. I still bump into people who rave about my Christmas party from twenty-five years ago when Santa showed up with his real sleigh.

Here are the steps necessary to create a story-based party:

  1. Decide what story you want to tell. This is simply a way of determining the guest experience you want to create. The creation of a story or journey of sorts generates a form of movement within the party that keeps things alive and entertaining.
  2. Determine what the guests will do. By creating an plan, the guests will be physically and emotionally moved through a series of actions that generate surprise, awe and memorable ah-ha moments.
  3. Select where they will do it. The physical place or setting is always paramount to a good story. It sets the atmosphere and peaks the interest of all guests in attendance.
  4. Pick when the story will take place. The time period plays an important role in the setting. The period can be modern day, the future, or somewhere back in history. Creating designs that reflect the specific period you choose creates richness to the party that is not soon forgotten.
  5. Choose what the guests will say tomorrow. All story-based parties generate a buzz of conversation. Friends tell other friends all about their experience the day after the party. In fact, the better the party, the longer people talk about their experience. Therefore, determining the result or the emotional takeaway you’d like to instill in your guests is critical to the party’s follow up conversations.

After you’ve made a list of the above items, you can organize the event in an order that works best for the story. The flow of activities is essential for creating a seamless environment that engulfs your guests in a great experience.

By thinking through all aspects of the event and scripting out the throughline or the flow of the story, you can create a party worthy of a theme park. Then make a list of all the details that are significant to the storyline. I like to use a visual board that I can attach magazine clips, photos and note cards.

The next step is easy. Look through all the brainstorming work you’ve collected and pull it all together. I’ve always found that the visual collection of the ideas seems to always imply an obvious storyline that will flow naturally and be a great success.

I threw a Mother’s Day party that was a nostalgic look at the 1940’s during the summer. It included an award winning barbershop quartet, dancers recreating the charm of Fred Astaire and Ginger Rogers, and a delightful meal common for the period. There was also a lot of beautiful lace table clothes and freshly cut flowers throughout the room.

Story-based parties are significantly more spectacular than store bought themes. They have a movement and richness that can’t be purchased in a box. It requires the host to be creative and think carefully about how to entertain each guest. It might even be the ultimate in hospitality because of the tremendous care taken on behalf of the guests.

Copyright © 2016 by CJ Powers

 

Embarrassment or Creativity

© IvicaNS - Fotolia.comCreativity is the one thing that brings everyone happiness. It founded our world and it created what many call the “happiest place on earth”—Walt Disney World. Unlike joy, which is eternal, happiness is fleeting at best. It comes and goes in the moment and can seldom be reenacted with the same level of enthusiasm that it originates.

For the creative soul, or the creator, the release of art is more precarious than most would think. Stepping out fully vulnerable with a creative performance, concept, or product can cause the recipient of a mediocre response to feel embarrassed. The newfound boldness of the audience can bring great praise or a debilitating embarrassment capable of shutting down a vulnerable heart.

Creatives need to protect their heart, yet remain open for their creativity to be successful. While that notion sounds like an oxymoron, creatives will always find someone to hate their work. They will also find someone who admires it. This makes the protection of the heart difficult.

The only way for a creative to protect his heart is to learn from the experts. While this is true in all fields, the entertainment industry seldom employs experts to help a creative get to the next level. All too often the creative person is seen as an end unto themselves and not as one key factor among others who collaborate in a successful product launch.

I was fortunate to have a professional actor as a next door neighbor when I was growing up. We produced numerous plays in his garage for families living on the block. While it seemed to be a hobby for the girls, every guy that participated in the plays went professional later in life.

My good fortune continued in high school when I had great phone conversations about directing with Ken Burns and Ron Howard. I also had a theatre coach that developed shows during the summer at Disney in Orlando. He took me under his wings and taught me a lot about the collaborative process. I was thrilled to be mentored by a pro.

Those who submit themselves to a mentoring process find their skills excel beyond the average creative. The most important reason is the additional confidence created from the relationship. However, for those who can’t seek out a mentor, there are four steps that can be taken to instill a similar affect of growth and confidence building.

STEP 1: Find the current expert in the field that can supply a solution to the creative problem. If we are confident that a particular person has what it takes to solve the dilemma, by researching that person and the steps they took to arrive as a master, it’s possible to shift our perspective in parallel to brainstorm solutions.

STEP 2: Mimic the master. Learning from a master includes the understanding of his perspective, style and panache. By trying these behaviors on, our mindset will change and give us ample opportunity to see things from a new perspective and energize our creativity.

STEP 3: Follow the expert’s methodology. All professional creatives have a process they follow for the sake of speed and profitability. The standards were proven and later developed into a process over time. By reenacting the process or using a version of it, the creative can open his mind to new opportunities and solutions.

STEP 4: Seek the risky solution. Creativity is at its best when we’re on the edge of what we’re comfortable producing. During the times we stretch ourselves to be competitive with the expert, we force ourselves to a higher level of performance. These moments that balance on the proverbial fence between creativity and embarrassment drive success to an all time new high.

The key to learning from others is realizing the difference between a great idea and one that was polished by a pro. Those who must hold fast to their ideas and won’t consider other perspectives are doomed to a short creative lifestyle. But those who consider various pieces offered by other professional creatives can polish off the bulk of their idea with experience, which will be evident in the final product.

No creative wants another to change his idea, but the good ones will allow the pro to improve his idea. Sometimes a simple sentence from a mentor can change the entire tone of a product to something more suitable for a different generation. The comraderie alone is of great value, but the output of the relationship will be impressive—Giving rise to confidence, not embarrassment.

Copyright © 2016 by CJ Powers

 

Drive-by Creative Games

Ole Lady MobileI recently learned a new game from an administrator at Disney. When she has a long hard day, she likes to do something out of the ordinary. She likes to stretch her creative juices and explore story from a new standpoint on the fly. Playing a simple game with those riding in her carpool exercises her creativity.

The rules are simple. The goal is to create a story one phrase at a time. She goes clockwise and each person shares a phrase of the story. The key is that the story must include everything the person has recently observed.

For instance, let’s say Person One notices birds fly out from a tree, railroad gates go down, and a loud horn honk. Person One might say, “Birds flew from the trees as the railroad gates blocked traffic and a sinister horn echoed down the rusty tracks.”

Person Two must continue the story where One left off and it must reflect what he observed. Let’s say it was a train, school kids, and an irate driver stuck at the railroad gate. Person Two might say, “The loco train, known for attacking at a moments notice, chugged past the gates and angered a man who was blocked from seeing his daughter leave school.”

Sometimes people only observe a single item that stands out unique from the day’s normal activities. Person Three might say, “The swirl of dust in the alley behind the bakery swooshed up into a super hero ready to protect the student.”

By the time the train passes, Person Four might have captured her observations. She says, “Fearing a great loss from the micro burst, the loco train chugged out of sight, leaving the girl unharmed.”

The story continues for several more rounds until all enjoy a great story. Even the first four phrases suggest a story that can entertain, while developing the skills of a creative person. Here is the compilation of the first four phrases in story form:

Birds flew from the trees as the railroad gates blocked traffic and a sinister horn echoed down the rusty tracks. The loco train, known for attacking at a moments notice, chugged past the gates and angered a man who was blocked from seeing his daughter leave school. The swirl of dust in the alley behind the bakery swooshed up into a super hero ready to protect the student. Fearing a great loss from the micro burst, the loco train chugged out of sight, leaving the girl unharmed.

The beauty of a creative story game is that there are no wrong answers or phrases. Each person can impact the direction of the story and its implications. Conflict is naturally increased within the story based on the process that forms the content. And, everyone can enjoy numerous laughs as the story weaves in and out of its form.

© 2016 by CJ Powers